Splashbacks and upstands in Cann Hall

Yes. Cann Hall is on the patch, and the postcodes we work here are E11. It is worked on our east London run, along with the rest of Waltham Forest. Permit hours are what matters, not the permit itself, because a bay that frees up at six in the evening is no use for a template at ten. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. One trip is always better than three. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

The flat entrance door and the internal doorways are usually tighter than the communal stairs, which is the opposite of what most people assume. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here, it rides the bow and hides the junction the worktop can never close on its own. Cut from the same slab run as the tops. Chimney breasts in converted flat kitchens mean two short pieces and a return rather than one continuous run, and both need individual templating.

Streets are narrow with permit bays on both sides and heavy overspill parking from the surrounding area, so getting kerb space within 20 metres of the door is the usual challenge. No side access on most houses, and rear gardens back directly onto each other. Garden routes carry their own hazards: a drain cover, a step up to a patio, wet decking, or a lawn that will not take a loaded trolley. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. Joint positions follow from that.

It is one of the three we do most here, behind worktop templating. Same template visit, same workshop, same installers either way. A kitchen carved out of a larger room sits under whatever the original plan left behind, so the run frequently ends at a blocked doorway or a boxed-in service. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Same batch, same run, same day. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. Corners get their own pieces. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

A chimney breast left in place splits a wall into two alcoves, and the two are rarely the same width and rarely parallel to each other. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. Make the wall good first, or accept the detail. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. The same building type can arrive as a careful one-off kitchen or as a fast turnaround, and the honest answer is that they are priced differently. Full-height panels need the wall made good first, which is another trade and another timescale. The wall has to be ready.