Splashbacks and upstands in Crystal Palace

Yes. Crystal Palace is on the patch, and the postcodes we work here are SE19, SE20. It is worked on our south east London run, along with the rest of Bromley. The realistic answer on a main road is an early slot, a spotter on the van and pieces staged in one movement rather than several trips. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. One trip is always better than three. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

A large villa has wide doors, a generous hall and somewhere to park, so the joins that go in are chosen for layout rather than forced by the route. Behind a range cooker with gas burners, granite or sintered stone is the sensible pick; quartz has a resin binder and does not enjoy sustained radiant heat at close range, so keep it out of the immediate hob zone or specify a different material for that panel. Cut from the same slab run as the tops. Sash windows sitting almost on the worktop line mean the upstand has to stop and return at the reveal, which needs proper detailing rather than a cut-off at the sill.

Very steep hills, red routes and bus lanes on the main roads, and permit parking on the side streets. Upper-floor flats in converted villas often have three flights and a narrow original stair. Stone goes up on edge, and it is the half-landing turn rather than the flight itself that sets the maximum piece. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Joint positions follow from that.

It is one of the three we do most here, behind worktop templating. Same template visit, same workshop, same installers either way. Conversions put kitchens where the services could be made to reach rather than where they belong, so runs are short and interrupted. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Siliconed to the worktop, never grouted. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Same batch, same run, same day.

If the island is a few hundred millimetres longer than the usable length of a slab, a second slab gets bought to gain that overhang, and the whole slab is paid for rather than the part used. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Anything that has to stay accessible, a stopcock, a gas meter, a riser panel, is marked on the template so the stone is cut around it instead of over it. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Scribed, dubbed out, or set proud. Pick one. The range and extractor must be sited and the window cill finished before the template, as both fix the vertical limits of the splashback. Where someone is living in the house through the work, the strip-out and the fit are planned so the kitchen is out of use for a day and not a week. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Same slab run as the tops.