Kitchen worktops in Downe

Yes. Period village houses with thick uneven walls, deep window reveals and low ceilings. Kitchens are compact and often L-shaped around a chimney breast, with a freestanding range in the old fireplace opening and a butler sink under the window. A free-parking street with cars both sides can still leave the van forty metres away, and that distance is carry, not driving. The templating visit needs somewhere to stop for two or three hours, which is a different problem from unloading for twenty minutes. The templater needs a proper stop, not a pause.

listed village cottage, flint and brick period house, conservation-area detached and farmhouse. A period cottage has low ceilings, thick rubble-filled walls and a floor that has never been level, and the worktop is the thing that has to look straight. Access through the property is usually the simplest of any archetype, with wide doors and generous rooms, so we can often carry a full-length piece straight in without a planned join. That is the shape of the day.

Narrow lanes with no pavement, parked cars on both sides and low overhanging trees, plus a conservation area where you cannot leave a van blocking the road for long. Carrying through the house means protecting the whole route first: floor boarded, banister padded, and the front door held open on a wedge rather than by hand. The fitting day is planned backwards from that point, before anything comes off the van. It gets checked before the first piece is lifted.

Worktop templating, worktop fabrication and worktop installation, in that order. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. The template visit is booked once the units are genuinely in, not when they are nearly in. Units fitted, fixed and level first. Walls in Downe cottages bow noticeably along their length, so we template with a full-length rigid pattern rather than measurements alone, otherwise the scribe will be wrong at one end.

The return piece is the awkward one on a slab: short, full depth, and rarely nesting neatly against the long lengths, so yield rather than area is what moves the material figure. On the day that means dry-laying the whole layout first and only then pulling and bonding the joins. Dry-lay first, always. A low sill over the sink run is what decides between an upstand and stone dying into a window board, and there is often less clearance than an upstand is tall. On the day it means dry-laying, marking, and cutting the scribe on site before anything is bonded. Eased in, never forced. Material runs from £110 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines rather than rolled into one figure.

An owner living in the house makes the decisions and lives with them, so the specification tends to go towards the material rather than towards the lowest total. The template happens when the units are in, fixed and level, whoever is fitting them. No stone is cut from a plan. Tell us the building when you book and the lift, the stair turn and any freeholder notice get built into the day rather than found on it.