Splashbacks and upstands in High Barnet

Yes. High Barnet is on the patch, and the postcodes we work here are EN5. It is worked on our north London run, along with the rest of Barnet. A red route means no stopping, and no stopping means exactly that, so the stone comes in from a side street or from a bay behind the property. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. One trip is always better than three. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Georgian houses put the kitchen in a basement or a rear closet wing, and the stairs down to it are the tightest part of the whole route. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. Cut from the same slab run as the tops. Semi-basement kitchens mean carrying a slab down a narrow internal stair with a turn, which is harder than going up, and the piece size has to reflect that.

Barnet Hill is a steep, busy A road with no stopping, and the High Street has short loading windows and narrow footways. Many houses have no rear access at all, so everything goes in through a front door directly onto the pavement. Stone goes up on edge, and it is the half-landing turn rather than the flight itself that sets the maximum piece. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Joint positions follow from that.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop templating, worktop design & quotation and worktop replacement. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Same batch, same run, same day. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template.

Where the return runs into a wall that is out of square, the corner is templated as the angle it really is rather than as ninety degrees. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. Corners get their own pieces. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a run finishes into a reveal, the depth of that reveal is taken at worktop height and nowhere else. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. An upstand rides what a panel exposes. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Decided before fabrication, not after.