Stone bar tops in Willesden

Yes. Willesden is on the patch, and the postcodes we work here are NW10, NW2. It is worked on our north west London run, along with the rest of Brent. A controlled parking zone means either a visitor permit sorted in advance or a suspended bay, and a suspension is applied for days ahead rather than on the morning. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. The van stands for the frame as well as the top. Everything that involves you happens in your kitchen, so there is nothing to visit and nothing to collect.

The rear room has a bay or a wide window onto the garden, so the sink length is short and the real working length is on the return. A bar in one of these houses is either the end of a through-lounge or a cellar conversion, and the two behave differently. Noggins first, brackets second, stone last. The stone carries the scribe because the wall cannot be persuaded, so back edges are cut oversize and eased in rather than dropped straight down. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. The support plan is drawn at the same time as the cut-out.

A hall radiator or a coat hook at shoulder height takes a hundred millimetres off the usable width, and a hundred millimetres is often the entire margin. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. A polished front edge is protected from the tail lift to the frame. Permit hours are what matters, not the permit itself, because a bay that frees up at six in the evening is no use for a template at ten. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. A bar fit is a day, not a drop.

Not really, and there is no sense dressing it up. What the research on this patch actually lists is worktop replacement, worktop templating and worktop installation. That is a statement about the local housing rather than about the work. It gets quoted, cut and fitted exactly as it would anywhere else on the patch. Rear and side-return extensions are where the islands appear, and an island is the piece that decides whether one slab does the kitchen or two. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. One detail across several rooms keeps the fixings the same. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. The evening use is what the piece is sized for.

If the island is a few hundred millimetres longer than the usable length of a slab, a second slab gets bought to gain that overhang, and the whole slab is paid for rather than the part used. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. Where the two levels meet is a detail, not an afterthought. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

A room can be out of square in both directions at once, so the wall that leans is also the wall that runs downhill, and one scribe cannot answer both. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. A bar top will not correct a frame that is out of true. Send the length you want, the number of stools, and photographs walking from the pavement through to the room, including the cellar stair if the bar is going down there. Mixed ownership means the decision-maker is not always the person who lets us in, so it is worth being clear early about who signs the quote off. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. Sealing a bar top is a yearly job and we say so.

No installed price per square metre is published, because it is not a real number. Two kitchens the same length can be far apart, because material, edge and cut-outs move independently of size. Every run, cut-out, edge, join and groove set is a line, which is what makes it comparable with anyone else’s. Plaster thickness varies over the height of a wall, so the line at worktop height is not the line at skirting level, and the units decide which one matters. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. Fixings go into timber that was put there for them.

Doorways, the newel post and the handrail usually take the room away, rather than the stairs themselves. Every piece goes in by hand and stone does not bend, so the tightest turn on the route sets the longest piece. A join added to get stone into the room is a different thing from a join added because the slab ran out, and the quote says which is which. Where the hall runs straight through to the back the piece can be walked in flat, and it is only the two door frames that have to be cleared. A top with a bonded apron on the front arrives deeper than a worktop and behaves like a beam, so there is no easing it round a turn at all. Nothing is leaned on a stud wall while it waits to be fitted.

A groove set needs a clear stretch of worktop beside the bowl, so it competes with the run for length instead of being free surface. The bowl position has to be settled before templating, since the grooves are set out from it. Grooves are machined in the workshop at the same time as the bowl cut-out, because they cannot be done well in a kitchen. Gas, waste and later wiring were boxed in against the wall long after the house was built, and that boxing is what the run has to clear. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. Everything under the nose is agreed before a slab is chosen.

A join cannot cross a cut-out, so a sink mid-run takes away the position you would have used. What you get is a line rather than a step, because the pieces are levelled to each other first. Dark and heavily veined stone shows a join more than a pale even one, which is worth knowing before the slab is picked. On a heavily veined stone the island and the run behind it are nested off the same area of slab so the movement relates across the room. Where the counter runs flush with the working surface instead of standing above it the whole thing becomes one plane, which looks better and doubles the unsupported span. Stools need floor as well as knee room, and both are drawn.