Splashbacks and upstands in Cudham

Yes. Cudham is on the patch, and the postcodes we work here are TN14. It is worked on our south east London run, along with the rest of Bromley. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

A period cottage has low ceilings, thick rubble-filled walls and a floor that has never been level, and the worktop is the thing that has to look straight. Long runs mean more than one piece, and the joint belongs in a corner or on a hob centre line rather than mid-run. Cut from the same slab run as the tops. On barn conversions the timber frame moves seasonally, so we mechanically isolate the stone from the structure and never bond a run tight against a post.

Single-track lanes with steep banks, mud on the road and gates that need opening; some properties are up a farm track where the last two hundred metres are unmetalled. A side gate and a back door mean the stone never goes through the house at all, which keeps the dust and most of the risk outside. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. Joint positions follow from that.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop design & quotation, worktop fabrication and worktop templating. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. Conversions put kitchens where the services could be made to reach rather than where they belong, so runs are short and interrupted. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Siliconed to the worktop, never grouted.

On a heavily veined stone the island and the run behind it are nested off the same area of slab so the movement relates across the room. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Floors settle, and once base units are packed and levelled properly the stone sits true while everything else in the room admits it is not. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Scribed, dubbed out, or set proud. Pick one. The range and extractor must be sited and the window cill finished before the template, as both fix the vertical limits of the splashback. An owner living in the house makes the decisions and lives with them, so the specification tends to go towards the material rather than towards the lowest total. Full-height panels need the wall made good first, which is another trade and another timescale. Decided before fabrication, not after.