Splashbacks and upstands in Hampton Wick

Yes. Hampton Wick is on the patch, and the postcodes we work here are KT1. It is worked on our south west London run, along with the rest of Richmond upon Thames. Where the van can pull up level with the gate the pieces are handled the fewest times, which is what actually protects them. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. One trip is always better than three. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Cottage terraces have no hall to speak of and the front door opens almost straight into the room, which makes the carry easier and the protection harder. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here, it rides the bow and hides the junction the worktop can never close on its own. The wall makes that decision, not the brochure. Doors opening straight onto the street mean the slab goes from tailgate to threshold in one move, so the van has to be right at the door or the job stalls.

The village sits at the foot of Kingston Bridge, so traffic queues through it most of the day, the streets are narrow with residents' bays, and many cottages open straight onto the pavement with no front garden to stage the load in. Everything comes through the front door and down the hall, so the tightest point on the route is usually the newel post at the foot of the stairs. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. It decides panel size before anything is cut.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop replacement, worktop installation and worktop templating. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Sockets final before template. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Same batch, same run, same day.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Corners get their own pieces. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a corner is a couple of degrees off, a mitre cut to a theoretical ninety degrees opens on the wall side and there is no closing it afterwards. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. Make the wall good first, or accept the detail. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. Where ownership is split across a building, the common parts belong to someone else and the carry route is negotiated rather than assumed. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Decided before fabrication, not after.