Splashbacks and upstands in Harlesden

Yes. Harlesden is on the patch, and the postcodes we work here are NW10. It is worked on our north west London run, along with the rest of Brent. The realistic answer on a main road is an early slot, a spotter on the van and pieces staged in one movement rather than several trips. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. That is why they are crated the way they are. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Where the side return has been filled in, the old external wall is now an internal one and still carries its render, its gutter line and its old fixings. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. Cut from the same slab run as the tops. Back-addition kitchens are rarely square to the main house, so expect a taper across a 3m run and template the whole piece as one rather than assuming a right angle at the return.

No driveways to speak of, red route and bus lane restrictions on the main roads, and controlled parking on almost every side street, so a dispensation or a very early start is usually needed to get the van close enough for a hall carry. A narrow entrance hall with a turn into the back of the house caps the longest piece we can physically get in, whatever the run itself measures. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. It decides panel size before anything is cut.

It is one of the three we do most here, behind worktop replacement. Same template visit, same workshop, same installers either way. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template. A kitchen carved out of a larger room sits under whatever the original plan left behind, so the run frequently ends at a blocked doorway or a boxed-in service. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Siliconed to the worktop, never grouted.

Where the return runs into a wall that is out of square, the corner is templated as the angle it really is rather than as ninety degrees. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a corner is a couple of degrees off, a mitre cut to a theoretical ninety degrees opens on the wall side and there is no closing it afterwards. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Scribed, dubbed out, or set proud. Pick one. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. Consent for the work sits with the freeholder or the managing body, and getting it in writing first avoids a crew arriving to a locked door. Full-height panels need the wall made good first, which is another trade and another timescale. Same slab run as the tops.