Stone bar tops in Old Bexley

Yes. Old Bexley is on the patch, and the postcodes we work here are DA5. It is worked on our south east London run, along with the rest of Bexley. A skip, a delivery lorry or a run of scaffolding takes the frontage the van needed, so the street is worth a look the day before rather than on the morning. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. Fitting a bar top is slower than carrying one. Everything that involves you happens in your kitchen, so there is nothing to visit and nothing to collect.

Cottage terraces have no hall to speak of and the front door opens almost straight into the room, which makes the carry easier and the protection harder. A bar in one of these houses is either the end of a through-lounge or a cellar conversion, and the two behave differently. Piece length is capped by the way in and the support follows. Where two pieces meet over a fall in the floor the join has to be flush to the hand as well as true to the level, because the eye reads the join and forgives the room. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. A bar pushed sideways was fixed to plasterboard.

The barrier, the entry code and the estate rules decide when a van can get near the door, and none of that is negotiable on the day. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. Nothing is leaned on a stud wall while it waits to be fitted. Where parking runs down both sides the road is left as a single lane, and a van standing in it has to be somewhere it does not stop a bin lorry. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. The frame is checked before anything comes off the van.

Not to any real extent, and it would be easy to imply it was. What the research on this patch actually lists is worktop templating, worktop fabrication and worktop replacement. It describes the kitchens on this patch, not the work that goes into them. Same quoting, same cutting, same fitting as anywhere else on the patch. Extension work runs late far more often than it runs early, and the worktop is close to the last thing in, so the date agreed at the start is rarely the date that happens. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. Batch work still gets its own template per room. Where a family has been living around a building site for months, the finish date carries more weight than any other part of the specification. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. A serving counter and a bar are one piece under two loads.

Power and waste come up through the floor, and where they surface decides which cabinet can hold a sink and which one cannot. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. A flush bar is one plane and twice the overhang problem. Material sits between £110 and £550 per square metre supply only, and templating, fabrication and fitting are quoted line by line.

Floors settle, and once base units are packed and levelled properly the stone sits true while everything else in the room admits it is not. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. Every obstruction under the top is a seating decision too. Send the length you want, the number of stools, and photographs walking from the pavement through to the room, including the cellar stair if the bar is going down there. Mixed ownership means the decision-maker is not always the person who lets us in, so it is worth being clear early about who signs the quote off. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. A bar outlasts whoever specified it.

Slabs come in finite sizes, so a long run needs a join whatever the room looks like. A mitred join at a corner is a different job from a butt join along a run, and they are not priced the same. A join sits over a cabinet gable. It never spans a gap and never runs through a cut-out. A hob cut-out and the floor penetration feeding it have to land over the same cabinet, and where they do not it is the stone that gets redrawn rather than the pipework. Where the counter runs flush with the working surface instead of standing above it the whole thing becomes one plane, which looks better and doubles the unsupported span. Knee room is measured from the frame, not from the nose.

They are cut with a fall towards the bowl, which is why they cannot be added on site later. A groove set needs a clear stretch of worktop beside the bowl, so it competes with the run for length instead of being free surface. The alternative stands on the surface, so the choice is losing worktop permanently or only while you are draining. Ground floors fall away towards the garden across the whole footprint, so the units are packed up long before anything is measured for stone. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. A bar top is fitted last and touched first.

A join added to get stone into the room is a different thing from a join added because the slab ran out, and the quote says which is which. A join forced by the route still sits over a gable, so it is no poorer a join for that. If a piece cannot be got in at all, we say so at the template rather than on the day. Estate roads are often too tight for a long-wheelbase van to turn, so the carry starts a good deal further from the door than a map suggests. The steel and the corbels travel that same route and go in first, so a bar is three separate carries into one room rather than a single delivery. The bar top is the last piece in and the first one people touch.

If the carcasses are corrected, the template is taken again, since a drawing off units that then moved is worthless. Packing takes up small variation. It is not there to hide something that belongs in the units. Levelling belongs in the carcasses, on their own legs and packers. A junction between an original floor and a later extension slab is almost never at the same level, so units carrying a run across it need packing first. Anything that puts a notch in a bar takes material out of the piece at the point people lean on it, so the notch and the support are drawn together or not at all. The riser is boxed to a line the stone can follow.