Splashbacks and upstands in Soho

Yes. Soho is on the patch, and the postcodes we work here are W1D, W1F. It is worked on our central London run, along with the rest of Westminster. The realistic answer on a main road is an early slot, a spotter on the van and pieces staged in one movement rather than several trips. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Georgian houses put the kitchen in a basement or a rear closet wing, and the stairs down to it are the tightest part of the whole route. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. The wall makes that decision, not the brochure. Winder stairs in these old houses mean the maximum piece that will physically turn is often around 1.8m - design the joints for the staircase first and the kitchen second.

The hardest access in the borough. No parking at all, pedestrianised sections, servicing windows that clash with restaurant deliveries, and 18th-century houses with 700mm doors and steep dogleg stairs with winders and no landing. Night-time economy means the working window is genuinely 8am to lunchtime. Communal stairs get boarded and the handrail padded, and we walk the route with a tape before the first piece leaves the van. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. That is agreed at template, not on fitting day.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop templating, worktop installation and worktop replacement. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. Conversions put kitchens where the services could be made to reach rather than where they belong, so runs are short and interrupted. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Same batch, same run, same day. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Siliconed to the worktop, never grouted.

The catch with a galley is that both runs are seen end-on from the doorway, so any difference in overhang between the two reads immediately. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a run finishes into a reveal, the depth of that reveal is taken at worktop height and nowhere else. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Make the wall good first, or accept the detail. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. The same building type can arrive as a careful one-off kitchen or as a fast turnaround, and the honest answer is that they are priced differently. Full-height panels need the wall made good first, which is another trade and another timescale. Same slab run as the tops.