Splashbacks and upstands in Mayfair

Yes. Mayfair is on the patch, and the postcodes we work here are W1J, W1K, W1S. It is worked on our central London run, along with the rest of Westminster. A controlled parking zone means either a visitor permit sorted in advance or a suspended bay, and a suspension is applied for days ahead rather than on the morning. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Arts and Crafts houses have deep eaves, low windows and inglenook recesses, so the kitchen has more corners and reveals than its floor area suggests. These runs are long and often include a range recess, so the splashback is nearly always more than one piece and the joint placement matters, put it in a corner or over a hob centre line, not randomly in the middle of a clear run. The wall makes that decision, not the brochure. Marble here is specified by the designer and it stains - get the client to sign off on sealing and expected patina before you fabricate, because the complaint always comes later.

Estate freeholders impose alteration consents and works hours, the buildings are listed so nothing gets fixed to original fabric without approval, and the lifts in period blocks are small original cars that will not take a slab. Deliveries are frequently routed through the mews at the back on a permit. A car that takes 2.4m on the diagonal will not take a three-metre worktop however it is stood, and there is no trimming it on the landing. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. It decides panel size before anything is cut.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop design & quotation, worktop fabrication and worktop templating. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Siliconed to the worktop, never grouted. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Same batch, same run, same day.

If the island is a few hundred millimetres longer than the usable length of a slab, a second slab gets bought to gain that overhang, and the whole slab is paid for rather than the part used. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

The returns into a breast recess are the tightest scribes in the room, and they are eased in rather than forced. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. An upstand rides what a panel exposes. The range and extractor must be sited and the window cill finished before the template, as both fix the vertical limits of the splashback. The householder is normally on site at template, and that is the right time to settle sink position, tap centres and overhang rather than agree them by email. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Same slab run as the tops.