Stone bar tops in Beddington Corner

Yes. Beddington Corner is on the patch, and the postcodes we work here are CR4, SM6. It is worked on our south London run, along with the rest of Sutton. Having the van on the drive means the load can be staged, so the heavy pieces come off last and go straight in instead of standing outside. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. Two trips to the van, one for hardware and one for stone. Template and fit both happen at the property, so there is nothing to drive to and nothing to collect.

The staircase rises over the back room in a good number of these, so a sloping bulkhead sits over one end of the run and a piece cannot be stood on edge beneath it. A bar in one of these houses is either the end of a through-lounge or a cellar conversion, and the two behave differently. The stone is the last element of the joinery, not the first. A cill projecting forward of the plaster line pushes the back edge out, and the units then stand off the wall by that amount for the whole length. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. What the bar wraps around is templated, never assumed square.

Where the staircase comes down into the hall the bottom treads project into the width, and nothing about that can be moved for the day. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. The bar top is the last piece in and the first one people touch. A dropped kerb wide enough for a car is not always wide enough for a long-wheelbase van, and the width of the crossing decides the rest. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. Trestles outside beat balancing a top on a half-built frame.

Honestly, no, though it would be easy to claim otherwise. What the research on this patch actually lists is worktop replacement, worktop templating and worktop splashbacks & upstands. That says something about the housing round here, not about the work. Quote, cut and fit are the same here as on any other part of the patch. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. Batch work still gets its own template per room. Extension work runs late far more often than it runs early, and the worktop is close to the last thing in, so the date agreed at the start is rarely the date that happens. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. A serving counter and a bar are one piece under two loads.

A dishwasher door on one side and an oven door on the other cannot both stand open in a narrow aisle, so which appliance goes where matters more in this shape than in any other. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. An overhang on two sides is two separate calculations. Expect £110 to £550 per square metre for material supply only, with templating, fabrication and fitting on their own lines.

Where the sill lands inside the height an upstand would occupy there is no upstand, and the stone either dies into the reveal or stops short of it. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. The support plan is drawn at the same time as the cut-out. Send the length you want, the number of stools, and photographs walking from the pavement through to the room, including the cellar stair if the bar is going down there. Where ownership is split across a building, the common parts belong to someone else and the carry route is negotiated rather than assumed. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. Fixings into structure are agreed before they are drilled.

A long top on units that were shimmed once and never checked is the commonest version of this, and it is cheap to fix beforehand. Packing takes up small variation. It is not there to hide something that belongs in the units. Levelling belongs in the carcasses, on their own legs and packers. Casement handles and stays swing down into the space above the worktop, so the clearance that counts is the one measured with the window open. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. A bar top will not correct a frame that is out of true.

Thickness has to be known before quoting, since it decides the edge, the cut-outs and what the units carry. If your own slab breaks there is no matching replacement to hand, and that is the real difference. Sinks, taps and hobs are yours to buy in any case, and they only have to be in the room for the template. Where a family has been living around a building site for months, the finish date carries more weight than any other part of the specification. Harder use and stronger cleaning products push the answer towards porcelain or sintered stone, because a resin-bound surface is the one that shows what has been left standing on it. The steel is priced with the bar, not after it.

Undermount bowls are cut and polished in the workshop and dry-fitted to the stone on the bench before anything is loaded. A piece with a bowl and a hob cut into it is the fragile one, and it is handled accordingly. A tap under a window board still needs room for its handle to lift, which is checked at the template. A window at one end and a doorway at the other means one end of the run is lit from behind and the other is interrupted, so the two ends of the same length behave differently. Where the counter runs flush with the working surface instead of standing above it the whole thing becomes one plane, which looks better and doubles the unsupported span. The bar is set out from the seat and worked back to the units.

Join count and position are settled from the template drawing rather than improvised on the fitting day. A join is glued and clamped flush on the day, so it is fixed rather than something to be undone. There are only ever a few legal positions, and the one taken is furthest from the light. The two runs are rarely the same length, and the shorter one often carries the sink, which puts the cut-outs in the piece with the least material to spare. A separate bar in the same room still takes its services from the same run, so the waste, the socket and the water are set out with the kitchen even though the joinery is not. A foot rail is planned with the frame, not bolted on later.