Splashbacks and upstands in Childs Hill

Yes. Childs Hill is on the patch, and the postcodes we work here are NW2, NW11. It is worked on our north London run, along with the rest of Barnet. Without a bay the van ends up on a single yellow with a crew member watching it, which takes a pair of hands off the carry. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

A villa cut into flats leaves kitchens in rooms that were never kitchens, with services run to wherever they could physically be made to reach. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here, it rides the bow and hides the junction the worktop can never close on its own. Cut from the same slab run as the tops. Steep streets plus stepped front paths make the approach the hardest part, and a slab that fits the kitchen may still not turn at the top of a Victorian staircase.

The ground falls steeply towards the Finchley Road and Cricklewood, so streets are on a gradient with stepped front entrances and no driveways, and permit parking is enforced. Converted flats mean a stair carry on most jobs. A walk-up with winders at every half-landing means the piece is rested and re-gripped on the way, so the crew size goes up before the piece size comes down. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. Joint positions follow from that.

It is one of the three we do most here, behind worktop replacement. Same template visit, same workshop, same installers either way. Conversions put kitchens where the services could be made to reach rather than where they belong, so runs are short and interrupted. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Same batch, same run, same day. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Siliconed to the worktop, never grouted.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

A notch around a boxed stack is machined with a radius at the internal corner, because a square inside corner there is exactly where a top will crack. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Make the wall good first, or accept the detail. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. Mixed ownership means the decision-maker is not always the person who lets us in, so it is worth being clear early about who signs the quote off. Splashbacks are cut from the same slab run as the tops, so they have to be decided before fabrication, not after. The wall has to be ready.