Splashbacks and upstands in Cricklewood

Yes. Cricklewood is on the patch, and the postcodes we work here are NW2. It is worked on our north west London run, along with the rest of Brent. The realistic answer on a main road is an early slot, a spotter on the van and pieces staged in one movement rather than several trips. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

The lift is a small passenger car with a gate, and the alternative is a stone stair winding round the shaft with a turn at every half-landing. Each return needs its own piece with a mitred or butted external corner, and those pieces should come off the same slab so the movement lines up across the corner. Cut from the same slab run as the tops. First-floor maisonette kitchens are the recurring headache: the piece has to go up a domestic staircase with a half turn, so plan the joint before quoting a single length.

The Broadway is an A road with loading restrictions and bus lanes, so vans park in side streets and the crew carries. Mansion blocks vary wildly, some with a small original lift too shallow for a full slab and a stone staircase as the only alternative. Weight tells on a staircase more than anywhere else, because there is nowhere to set a piece down mid-flight and no way to change your grip once it is moving. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. That is agreed at template, not on fitting day.

It is one of the three we do most here, behind worktop replacement. Same template visit, same workshop, same installers either way. A kitchen carved out of a larger room sits under whatever the original plan left behind, so the run frequently ends at a blocked doorway or a boxed-in service. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template. Conversions put kitchens where the services could be made to reach rather than where they belong, so runs are short and interrupted. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Siliconed to the worktop, never grouted.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. The joint to the worktop is siliconed, never grouted. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Anything that has to stay accessible, a stopcock, a gas meter, a riser panel, is marked on the template so the stone is cut around it instead of over it. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. An upstand rides what a panel exposes. The riser boxing must be finished in its final form and any access panel positions agreed before the template, since the stone is set out around them. The same building type can arrive as a careful one-off kitchen or as a fast turnaround, and the honest answer is that they are priced differently. Full-height panels need the wall made good first, which is another trade and another timescale. Decided before fabrication, not after.