Stone bar tops in Kingston Vale

Yes. Kingston Vale is on the patch, and the postcodes we work here are SW15. It is worked on our south west London run, along with the rest of Kingston upon Thames. The distance from the standing to the actual kitchen door is the number that counts, since plenty of drives finish at a side gate and a garden path. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. Packaging and offcuts go back the way the top came in. Template and fit both happen at the property, so there is nothing to drive to and nothing to collect.

The larder had a cold shelf and an air brick straight through to the outside, and that brick is usually still open behind whatever now stands in front of it. These bars nearly always land at the open end of a knocked-through kitchen and dining room, which means the piece is read from both sides and both sides get the same edge treatment rather than one being left as a cut face. A bar in a small room is drawn for the stools it will take. Where a breast interrupts a long wall the join can often go there, so it reads as a natural break rather than a line in the middle of a worktop. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. A bar top is set to one datum along its own length.

Rear access usually lets us fit longer pieces whole, so the join count ends up decided by the slab rather than by the building. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. Stools and back shelving come in after the stone is down. Deep gravel takes the wheels of a loaded trolley and holds them, so either boards go down or the pieces are carried. A trade bar is fitted around opening times, so the window the van has and the window the room has are rarely the same window. One van, one bar, one visit.

Not particularly. It would be easy to say yes and leave it there. What the research on this patch actually lists is worktop design & quotation, worktop installation and worktop replacement. That is about what people have here rather than how it gets done. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. Extension budgets are usually well spent by the time the worktop is ordered, which is where the choice between quartz and a thinner sintered stone actually gets made. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. The support detail is agreed with whoever builds the frame. Rear and side-return extensions are where the islands appear, and an island is the piece that decides whether one slab does the kitchen or two. Harder use and stronger cleaning products push the answer towards porcelain or sintered stone, because a resin-bound surface is the one that shows what has been left standing on it. Repeated bars get one drawing and one steel schedule.

Handles on opposing runs meet in the middle of the aisle, so a deep edge profile specified on both sides takes width out of the standing space twice over. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. The stool positions go on the drawing before the join does. Material runs £110 to £550 per square metre supply only, and templating, fabrication and fitting each get their own line.

The returns into a breast recess are the tightest scribes in the room, and they are eased in rather than forced. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. The frame is made true before the stone is measured. Confirm the finished height you want and whether the bar is seen from both sides, and tell us who is building the frame and when it will be complete. An owner paying for this directly tends to want the reasoning as much as the number, so a quote that explains why a join sits where it does is worth more than a cheaper one that does not. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. Consent for a structural fixing comes before the fitting date.

The check comes before the measuring rather than after, because the whole drawing is set out from that plane. A long top on units that were shimmed once and never checked is the commonest version of this, and it is cheap to fix beforehand. Packing takes up small variation. It is not there to hide something that belongs in the units. An alcove is commonly wider at the back than at the front, so a piece cut to the opening drops in and then stands off the rear wall. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. Anything that flexes under the nose shows up at the join.

Quartz carries resin, so a hot pan wants a trivet, while granite and sintered stone will take one without complaint. The bead where the sink and hob meet the stone is siliconed rather than sealed, and wants watching. Granite is porous to varying degrees, so it is sealed when we fit it and topped up over the life of the worktop. Where the dividing wall has come out there is a steel over the opening and a nib of the old wall left at each end, and a run turning that corner has to clear both nibs. The side passage is usually wide enough for a full length to reach the room, so piece length is decided by the slab and by what the frame will carry rather than by the front door. Blockwork holds a fixing and plasterboard does not.

Between the template and the fit the slab is nested, cut, mitred and dry-assembled on the bench, which is work you never see and is most of the wait. The fit follows 5 to 10 working days after the template, and nothing is cut before that visit because nothing is cut from a plan. The design and quotation visit comes first. It is free and carries no obligation. These were built with a coal store and an outside lavatory off the back, and where those got absorbed into the kitchen the walls around them are thinner and later. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. The bar is set level to itself and packed off the frame.

A boiling tap needs a hole of its own and a cupboard below for the tank, so the units change too. A sit-on sink and an undermounted one are different cut-outs, so which it is gets settled before the template. A tap under a window board still needs room for its handle to lift, which is checked at the template. Older houses put the boiler or the meter on one of the two walls, and whatever is boxed in around it sets the point where that run has to stop. Where the counter runs flush with the working surface instead of standing above it the whole thing becomes one plane, which looks better and doubles the unsupported span. A flush bar is one plane and twice the overhang problem.