Stone bar tops in Roxeth

Yes. Roxeth is on the patch, and the postcodes we work here are HA2. It is worked on our north west London run, along with the rest of Harrow. With no scheme to work with there is nothing to book and nobody to ring, so the only levers left are an early arrival and a word with the neighbours. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. Packaging and offcuts go back the way the top came in. Template and fit both happen at the property, so there is nothing to drive to and nothing to collect.

A two-up two-down has a kitchen that was never designed to be one, so the run is short, the ceiling is low and every millimetre of depth gets argued over. A bar in one of these houses is either the end of a through-lounge or a cellar conversion, and the two behave differently. A garage floor slopes and the frame takes that up. Window boards and cills stand proud of the plaster, so the back edge of the top has to be plotted to where the units actually sit rather than to the wall. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. A corbel never lands where a knee goes.

Even an easy kerbside carry wants the pavement clear at the tail lift, because a three-metre piece on edge has a swing radius nobody expects until it is swinging. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. The frame is built in the room; only the top has to travel. Unrestricted kerbside is straightforward as long as the space in front of the property is actually clear when the van arrives. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. One van, one bar, one visit.

Honestly, no, though it would be easy to claim otherwise. What the research on this patch actually lists is worktop replacement, worktop templating and worktop splashbacks & upstands. That says something about the housing round here, not about the work. Quote, cut and fit are the same here as on any other part of the patch. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. A bar is the piece most likely to be added after the kitchen. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. Harder use and stronger cleaning products push the answer towards porcelain or sintered stone, because a resin-bound surface is the one that shows what has been left standing on it. Frames get opened up again when the support was left out.

A window at one end and a doorway at the other means one end of the run is lit from behind and the other is interrupted, so the two ends of the same length behave differently. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. A bar on an end takes the corner load a wall used to take. Material runs £110 to £550 per square metre supply only, and templating, fabrication and fitting each get their own line.

Where a run finishes into a reveal, the depth of that reveal is taken at worktop height and nowhere else. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. The bar is packed level off the frame, not off the floor. Send the length you want, the number of stools, and photographs walking from the pavement through to the room, including the cellar stair if the bar is going down there. A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. Seating height is set to a person or to a standard, and stated.

The check comes before the measuring rather than after, because the whole drawing is set out from that plane. A long top on units that were shimmed once and never checked is the commonest version of this, and it is cheap to fix beforehand. Variation past what packing can take up has to be corrected in the carcasses before we cut, because the template records the units as they stand. Sill height gets settled with the template on site, because it is one of the few dimensions nobody has measured before we arrive. Anything that puts a notch in a bar takes material out of the piece at the point people lean on it, so the notch and the support are drawn together or not at all. A notch in a bar top is drawn with its support beside it.

The fit follows 5 to 10 working days after the template, and nothing is cut before that visit because nothing is cut from a plan. The template is taken in your kitchen after the units are in and fixed, never before. The design and quotation visit comes first. It is free and carries no obligation. Injected damp courses and re-rendered lower walls leave the bottom metre standing proud of everything above it. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. Where the weight lands is worked out before the piece is cut.

Quartz carries resin, so a hot pan wants a trivet, while granite and sintered stone will take one without complaint. The bead where the sink and hob meet the stone is siliconed rather than sealed, and wants watching. Marble is the one people underestimate. It is porous, like granite, and wants sealing. Cottage terraces have no hall to speak of and the front door opens almost straight into the room, which makes the carry easier and the protection harder. A bar in a house of this age is usually either the end of a through-lounge or a cellar conversion, and the cellar is the harder of the two because the headroom fixes the counter height before anybody else gets a say. Deep skirtings push the frame forward and the top covers it.

Tiling bonded to the wall behind usually comes away with the old top, so that wall is agreed beforehand. The sink and hob are lifted out with the old top and kept aside if you are reusing them. Old tops are screwed or glued from underneath, so the drawer boxes come out before the worktop does. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. Where the clock is running the frame is levelled and the steel is in before the top ever leaves the tail lift. Where parking is tight the hardware walks in ahead of the stone.