Kitchen worktops in Roxeth

Yes. Older, smaller cottages mixed with interwar terraces, so ceiling heights and window positions vary house to house and there is no standard layout to work from. Kitchens are commonly 2.4m to 3m single runs with a door at each end, and owners keep the units and change surfaces. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. A templater circling for a space arrives late into a slot that was already tight, and the drawing is what suffers. It goes on the job sheet for the fitting crew.

Victorian cottage, 1930s terrace and post-war infill flat. A small room puts the sink, hob and tap cut-outs close together on one short length, and the bridge of stone left between them decides whether it can be cut in one piece. Alcoves either side of the breast are rarely the same width and rarely parallel, so each one is templated as its own piece with its own scribe. Recorded as it is, not as it was drawn.

Narrow streets on the slope below the hill, kerbside parking only on the older cottages, and low door heads on the Victorian stock that make tilting a slab through a doorway awkward. A short hard approach with no steps means a full-length piece can be walked in flat by two people rather than turned up on edge. The templater measures that route on the same visit, so the drawing leaves site already knowing the maximum piece. It goes on the drawing with the run dimensions.

Worktop replacement, worktop templating and worktop splashbacks & upstands, in that order. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Sockets final before template. Low door heads and tight halls mean measuring the diagonal clearance at every doorway on the route, not just the kitchen entrance.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. The template records every angle in that shape as it actually is rather than as the plan drew it. One datum for the whole room. A low sill over the sink run is what decides between an upstand and stone dying into a window board, and there is often less clearance than an upstand is tall. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. Make the wall good first, or accept the detail. Material runs from £110 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines rather than rolled into one figure.

Mixed ownership means the decision-maker is not always the person who lets us in, so it is worth being clear early about who signs the quote off. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Decided before fabrication, not after. Tell us the building when you book and the lift, the stair turn and any freeholder notice get built into the day rather than found on it.