Stone bar tops in Wealdstone

Yes. Wealdstone is on the patch, and the postcodes we work here are HA3. It is worked on our north west London run, along with the rest of Harrow. Where parking runs down both sides the road is left as a single lane, and a van standing in it has to be somewhere it does not stop a bin lorry. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. Steel and corbels are unloaded before the stone is. Template and fit both happen at the property, so there is nothing to drive to and nothing to collect.

Floors are suspended timber over a shallow void and have moved, so the units are packed and levelled before anything is set on them. A bar in a house of this age is usually either the end of a through-lounge or a cellar conversion, and the cellar is the harder of the two because the headroom fixes the counter height before anybody else gets a say. Noggins first, brackets second, stone last. Anything that has to stay accessible, a stopcock, a gas meter, a riser panel, is marked on the template so the stone is cut around it instead of over it. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. Steel spans what a carcass cannot.

A car will often hold more than its doors will admit, and it is the clear width between the door edges that a piece actually has to pass through. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. Steel for the overhang is carried in and fixed before the stone. With no scheme to work with there is nothing to book and nobody to ring, so the only levers left are an early arrival and a word with the neighbours. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. The bar top waits on the van until the frame is level.

Not particularly. It would be easy to say yes and leave it there. What the research on this patch actually lists is worktop replacement, worktop templating and worktop splashbacks & upstands. That is about what people have here rather than how it gets done. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. A bar in constant use is a maintenance decision as well. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. One detail across several rooms keeps the fixings the same.

Walls at both ends mean two scribes on every piece, and a run that has to drop between two fixed points has no tolerance left to give away. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. Stools need floor as well as knee room, and both are drawn. Reckon on £110 to £550 per square metre for the material supply only, with templating, fabrication and fitting itemised separately.

A notch around a boxed stack is machined with a radius at the internal corner, because a square inside corner there is exactly where a top will crack. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. A bar top is set to one datum along its own length. Send the length you want, the number of stools, and photographs walking from the pavement through to the room, including the cellar stair if the bar is going down there. A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. What stays with the building is built to stay.

Stone does not flex, so a run that rocks on its carcasses rocks just as badly once it is stone. Small variation is taken up by packing under the top on the fitting day. Packing takes up small variation. It is not there to hide something that belongs in the units. A live soil stack cannot be chased back into the wall, so the depth it steals is permanent and the run is planned around it rather than through it. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. The frame is made true before the stone is measured.

Between the template and the fit the slab is nested, cut, mitred and dry-assembled on the bench, which is work you never see and is most of the wait. The fit follows 5 to 10 working days after the template, and nothing is cut before that visit because nothing is cut from a plan. Nothing is payable in advance of the template. Chimney breasts and the alcoves either side of them break the run into short pieces before anyone has drawn a kitchen. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. The bar is set level to itself and packed off the frame.

Quartz carries resin, so a hot pan wants a trivet, while granite and sintered stone will take one without complaint. Granite is porous to varying degrees, so it is sealed when we fit it and topped up over the life of the worktop. Bleach and limescale remover harm a polished finish rather than clean it, whichever material is on the units. A small room puts the sink, hob and tap cut-outs close together on one short length, and the bridge of stone left between them decides whether it can be cut in one piece. The floor is suspended timber, so the frame is fixed back to a wall as well as bearing down on the boards, or the whole thing shifts when somebody leans on the nose. The riser gets notched around, not built away from.

The carry route is measured before anything is cut, so a piece that will not make the turn is split at the drawing stage rather than discovered on the day. The lift, if there is one, is measured on the diagonal, because that is the dimension a long piece actually uses. Doorways, the newel post and the handrail usually take the room away, rather than the stairs themselves. Once a long piece is in on the diagonal there is no room left for anyone else, so it travels up alone and is met on the landing above. The steel and the corbels travel that same route and go in first, so a bar is three separate carries into one room rather than a single delivery. A bonded apron makes the piece deeper than the doorway expects.