Splashbacks and upstands in West Putney

Yes. West Putney is on the patch, and the postcodes we work here are SW15. It is worked on our south west London run, along with the rest of Wandsworth. Permit hours are what matters, not the permit itself, because a bay that frees up at six in the evening is no use for a template at ten. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Arts and Crafts houses have deep eaves, low windows and inglenook recesses, so the kitchen has more corners and reveals than its floor area suggests. Behind a range cooker with gas burners, granite or sintered stone is the sensible pick; quartz has a resin binder and does not enjoy sustained radiant heat at close range, so keep it out of the immediate hob zone or specify a different material for that panel. Cut from the same slab run as the tops. Sloping sites mean the ground-floor and garden-level rooms rarely share a datum, so set out from the finished floor in each room rather than assuming one worktop height throughout.

The gradient is the defining factor, driveways slope steeply, and moving a loaded trolley on a wet incline is a real hazard, so kit comes off the van at the top and goes down by hand. Parking is permit-controlled and the roads are narrow with parked cars both sides. The side passage is the measurement that matters, because a piece has to be carried flat down it and then turned in at the back door, and the turn is always tighter than the passage. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. It decides panel size before anything is cut.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop design & quotation, worktop templating and worktop installation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Same batch, same run, same day. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Siliconed to the worktop, never grouted.

If the island is a few hundred millimetres longer than the usable length of a slab, a second slab gets bought to gain that overhang, and the whole slab is paid for rather than the part used. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Corners get their own pieces. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Walls that bow along their length are the normal condition rather than the exception, and a straight-cut back edge will show a shadow gap at one end and touch at the other. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. Make the wall good first, or accept the detail. The range and extractor must be sited and the window cill finished before the template, as both fix the vertical limits of the splashback. Owner-occupied kitchens are usually being done once, which is why the edge profile, the vein direction and where a join falls are worth the conversation. Splashbacks are cut from the same slab run as the tops, so they have to be decided before fabrication, not after. Same slab run as the tops.