Splashbacks and upstands in Hammersmith

Yes. Hammersmith is on the patch, and the postcodes we work here are W6. It is worked on our west London run, along with the rest of Hammersmith and Fulham. The realistic answer on a main road is an early slot, a spotter on the van and pieces staged in one movement rather than several trips. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

The addition wall is half a brick thick in places and has usually had a damp course injected and been re-plastered, which leaves it neither flat nor consistent. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. Cut from the same slab run as the tops. The hall newel post is the usual failure point on a Victorian terrace - offer the template board up the hall before you commit to a single-piece island.

The gyratory and the flyover approach are red-route controlled with no stopping, so the van goes onto the residential streets and the crew walks the last stretch. Terraced streets here mostly have front gardens with a gate and a step, and the standard route in is the hallway past the stair newel, which is where longer pieces get stopped. Carrying through the house means protecting the whole route first: floor boarded, banister padded, and the front door held open on a wedge rather than by hand. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. Joint positions follow from that.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop templating, worktop fabrication and worktop installation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. Rear and side-return extensions are where the islands appear, and an island is the piece that decides whether one slab does the kitchen or two. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Sockets final before template. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Same batch, same run, same day.

Seating overhangs past roughly 300mm will not carry on the carcass alone, so flat steel bar or a plywood substrate has to be built into the units first. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Corners get their own pieces. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

A junction between an original floor and a later extension slab is almost never at the same level, so units carrying a run across it need packing first. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Make the wall good first, or accept the detail. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. Mixed ownership means the decision-maker is not always the person who lets us in, so it is worth being clear early about who signs the quote off. Splashbacks are cut from the same slab run as the tops, so they have to be decided before fabrication, not after. Same slab run as the tops.