Stone bar tops in Morden

Yes. Morden is on the patch, and the postcodes we work here are SM4. It is worked on our south west London run, along with the rest of Merton. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. Permits are sorted before a corbel is drilled. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

A minority of these are non-traditional precast types, and in those the inside face of the outer wall is a panel between columns rather than a masonry wall. Rooms in this stock are compact, so a bar usually replaces a table rather than sitting alongside one, and it is drawn for two or three stools with enough floor left to get past them. The apron is bonded on the bench, never built up in the room. Boxing is rarely the same depth at worktop height as it is at floor level, so measuring it low down is the usual reason a top will not sit back. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. Noggins go into a stud wall before a bar is fixed to it.

A steep pitch shortens the tread and lengthens the reach, which leaves whoever is below carrying most of the weight for the full flight. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. Stools and back shelving come in after the stone is down. A free-parking street with cars both sides can still leave the van forty metres away, and that distance is carry, not driving. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. The nose stays wrapped until the frame is ready for it.

Not really, and there is no sense dressing it up. What the research on this patch actually lists is worktop replacement, worktop installation and worktop templating. That is a statement about the local housing rather than about the work. It gets quoted, cut and fitted exactly as it would anywhere else on the patch. The person choosing the worktop is not the person using it, and that shifts the balance from appearance towards running cost. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. One detail across several rooms keeps the fixings the same. Where kitchens turn over between tenancies the priority is a surface that survives a decade of being treated as a chopping board. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. The evening use is what the piece is sized for.

Two runs meeting at an internal corner is the most common shape we fit, and the corner is where the decisions are. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. A foot rail is planned with the frame, not bolted on later. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Anything that has to stay accessible, a stopcock, a gas meter, a riser panel, is marked on the template so the stone is cut around it instead of over it. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. A sloping floor is a problem for the stools, not the top. Send a photograph of every corner of the room so we can see the boxings, the length you want, and how many stools you expect to use. Some doors in a building need a consent letter and some need nothing at all, so the first question is which arrangement applies here rather than which one is usual. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. A quote for a bar names who is providing the frame.

The template produces a drawing, and the workshop cuts to that drawing once you agree it. Upstands and splashbacks are templated after the worktop is down and settled, so they are a separate visit. Templating and fitting are two visits, not one, and the gap between them is when the stone is actually cut. Textured ceiling coatings and old floor tiles in this stock predate 2000, so nothing is scraped, sanded or lifted before anyone knows what it is. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. The bar is set level to itself and packed off the frame.

There are only ever a few legal positions, and the one taken is furthest from the light. Slabs come in finite sizes, so a long run needs a join whatever the room looks like. A join cannot cross a cut-out, so a sink mid-run takes away the position you would have used. The return piece is the awkward one on a slab: short, full depth, and rarely nesting neatly against the long lengths, so yield rather than area is what moves the material figure. Where the counter runs flush with the working surface instead of standing above it the whole thing becomes one plane, which looks better and doubles the unsupported span. What the shape gives in length it takes back in support.

Old laminate is light and awkward rather than heavy, so it is usually the easier half of the day. Take the old tops off yourself if you would rather, and the quote simply carries one line fewer. An old stone top is heavier coming out than the new one is going in, and leaves in sections. Where the van can pull up level with the gate the pieces are handled the fewest times, which is what actually protects them. A trade bar is fitted around opening times, so the window the van has and the window the room has are rarely the same window. Fitting a bar top is slower than carrying one.

What decides between them is usually the wall: what it is built of, how flat it is, and where the sockets ended up. Both are templated after the worktop is down and settled, because they are cut to the wall itself. Socket and switch positions have to be final before templating, because the openings are machined rather than chopped out on the wall. Windows and doors were replaced across whole streets on one programme, so the kitchen window is a plastic frame in the old opening with a deep lined reveal. The one advantage here is the fabric: dense blockwork holds a fixing properly, which makes a wall-carried front edge realistic where a stud partition would not allow it at all. A garage floor slopes and the frame takes that up.