Splashbacks and upstands in Smithfield

Yes. Smithfield is on the patch, and the postcodes we work here are EC1A, EC1M. It is worked on our the City run, along with the rest of the Square Mile. A free-parking street with cars both sides can still leave the van forty metres away, and that distance is carry, not driving. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Original brickwork is uneven by ten millimetres or more across a bay, so the back edge is scribed to the actual face rather than to a line. Exposed brick is the defining issue: the face is uneven by 10mm or more across a bay, so a stone splashback either scribes to it, which means the back of the panel has to be relieved, or it is deliberately set proud on a subframe with a shadow reveal all round. The wall makes that decision, not the brochure. Cast-iron columns in these lofts are never quite where the drawing says, so scribe the island around the column rather than trusting a plan dimension.

The market end operates through the night and early morning with lorry movements and cleaning, so an early start clashes with trade rather than helping you, and mid-morning is the better window. Warehouse conversions frequently retain a wide goods lift or a loading door with a hoist beam, which if it is still usable is the easiest way to get a long piece up. A car that takes 2.4m on the diagonal will not take a three-metre worktop however it is stood, and there is no trimming it on the landing. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. Joint positions follow from that.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop fabrication, worktop installation and worktop templating. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Siliconed to the worktop, never grouted. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Same batch, same run, same day.

On a heavily veined stone the island and the run behind it are nested off the same area of slab so the movement relates across the room. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a column lands in the run the template plots its actual outline so the stone is cut to fit around it rather than stopped short and filled. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. An upstand rides what a panel exposes. Decide and build the backing method, scribe, subframe or board, before the template, because the templater is measuring to that face and not to the brick. Quartz is the sensible default in a rental: nothing to seal, nothing to maintain, and nothing an incoming tenant needs briefing on. Splashbacks are cut from the same slab run as the tops, so they have to be decided before fabrication, not after. The wall has to be ready.