Stone bar tops in Streatham Common

Yes. Streatham Common is on the patch, and the postcodes we work here are SW16. It is worked on our south London run, along with the rest of Lambeth. With no scheme to work with there is nothing to book and nobody to ring, so the only levers left are an early arrival and a word with the neighbours. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. The van stands for the frame as well as the top. You never have to visit anything or collect anything: we template in your kitchen and fit in your kitchen.

Rear rooms of this date have a wide sash or a pair of garden doors, so a good deal of the wall the run wants is glass. A bar in a house of this age is usually either the end of a through-lounge or a cellar conversion, and the cellar is the harder of the two because the headroom fixes the counter height before anybody else gets a say. Beer lines and a glasswasher change what goes under the top. A floor that falls across the depth of a run rather than along it tips the carcasses front to back, and packing the front feet changes the overhang while it fixes the level. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. A column in the middle of a bar is a decision, not a surprise.

A narrow entrance hall with a turn into the back of the house caps the longest piece we can physically get in, whatever the run itself measures. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. Cellar bars go down a flight, which is the harder direction. Unrestricted kerbside is straightforward as long as the space in front of the property is actually clear when the van arrives. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. A bar fit is a day, not a drop.

Not really, and claiming otherwise would cost nothing and mean nothing. What the research on this patch actually lists is worktop design & quotation, worktop splashbacks & upstands and worktop installation. It reflects the local housing rather than any difference in the work. It is quoted, cut and fitted here the same way it is anywhere else on the patch. Extension budgets are usually well spent by the time the worktop is ordered, which is where the choice between quartz and a thinner sintered stone actually gets made. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. Where the use is hard, the surface is chosen for it. Rear and side-return extensions are where the islands appear, and an island is the piece that decides whether one slab does the kitchen or two. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. A late bar is a separate visit and the quote says so.

Sockets set into the end panel keep the top clear, but they sit below the stone and are cut into the panel by the fitter rather than machined into the worktop. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. A bar on an end takes the corner load a wall used to take. Supply-only material is £110 to £550 per square metre, and templating, fabrication and fitting are quoted separately rather than rolled in.

Once the carcasses are levelled the gap under the plinth varies along the run, and that varying gap is the honest record of what the floor is doing. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. The stone is cut to the obstruction as found. Send the length you want, the number of stools, and photographs walking from the pavement through to the room, including the cellar stair if the bar is going down there. Mixed ownership means the decision-maker is not always the person who lets us in, so it is worth being clear early about who signs the quote off. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. A home bar is chosen once, so the detail earns the conversation.

The same firm templates and fits. Nobody else is brought in to install. The fit follows 5 to 10 working days after the template, and nothing is cut before that visit because nothing is cut from a plan. On the fitting day floors and door frames are protected, joins clamped flush, sink and hob sealed. Nothing in a house of this age is square, and the kitchen is usually the part that has been altered most often. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. A bar top is judged from a stool, not from the doorway.

A groove set needs a clear stretch of worktop beside the bowl, so it competes with the run for length instead of being free surface. The bowl position has to be settled before templating, since the grooves are set out from it. Where there is no room for a separate drainer, grooves are usually what gets specified instead. The kitchen normally sits in the back addition or a later side return, which puts the run against the oldest and least straight wall in the building. None of that stops a bar being fitted level, but it does mean the top is set to a datum of its own and packed off the frame rather than followed down to the floor. What holds the front edge up matters more than what the slab cost.

Ask for the lines rather than the total. One number for a kitchen tells you nothing you can check. Cut-outs, edge profile and join count are itemised, so taking one out removes a line rather than starting an argument. The design and quotation visit is free and carries no obligation, so a figure exists before any commitment. A wall line that runs level over a floor that does not means the finish closes up on the plinth at one end, which is joinery rather than something the stone can answer. Anything that puts a notch in a bar takes material out of the piece at the point people lean on it, so the notch and the support are drawn together or not at all. What carries the overhang is fixed to structure, not to lining.

Damage found on the bench never leaves the workshop, and damage on the carry is remade under the same cover. A remade piece is cut from the same slab run wherever the slab allows, because a replacement from another batch will not match across a join. Door frames and the stair route are protected too, since most contact happens on the way in. Door width, hall width and the diagonal at the turn are three separate measurements, and it is the diagonal that catches people out. A top with a bonded apron on the front arrives deeper than a worktop and behaves like a beam, so there is no easing it round a turn at all. Front tier and back tier are carried and set as two pieces.