Splashbacks and upstands in Tower Hill

Yes. Tower Hill is on the patch, and the postcodes we work here are EC3N. It is worked on our the City run, along with the rest of the Square Mile. A red route means no stopping, and no stopping means exactly that, so the stone comes in from a side street or from a bay behind the property. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

A former office building converted to flats has deep floorplates, so kitchens end up in internal rooms with no external wall at all. Every socket, switch and any USB point has to be cut out of the stone to the actual measured position, so the template has to be taken with the faceplates off and the back boxes visible. Decided before fabrication starts. Nothing in the Georgian stock is square or level, so template with a digital arm and expect to scribe every back edge rather than cutting to a drawing.

Tourist footfall around the Tower is constant and the surrounding roads carry heavy through traffic with no stopping, so loading has to be on the back streets in an off-peak window. Georgian properties have narrow original doors and steep straight stairs with a tight half-landing, and the listing means no removal of joinery to get a piece through. Stone goes up on edge, and it is the half-landing turn rather than the flight itself that sets the maximum piece. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. Joint positions follow from that.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop templating, worktop replacement and worktop installation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. Conversions put kitchens where the services could be made to reach rather than where they belong, so runs are short and interrupted. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Sockets final before template. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Siliconed to the worktop, never grouted.

A peninsula is an island with one end tied to a run, which means the join between them has to be planned rather than allowed to happen. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Level has to hold across the whole room rather than along one wall, or a floor that falls end to end shows as a step where two pieces meet. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. An upstand rides what a panel exposes. Any socket you intend to move must be moved and re-plastered before templating, because a cut-out in the wrong place means a new piece of stone. A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. Full-height panels need the wall made good first, which is another trade and another timescale. Same slab run as the tops.