Restaurant and cafe table tops in Well Hall

Yes. Well Hall is on the patch, and the postcodes we work here are SE9. It is worked on our south east London run, along with the rest of Greenwich. With no scheme to work with there is nothing to book and nobody to ring, so the only levers left are an early arrival and a word with the neighbours. A table order comes off the van as a stack of frames and a pallet of bases, and both of those need somewhere to stand before either is moved. Empty frames go back on the van the same trip. You never have to visit anything or collect anything: we template in your kitchen and fit in your kitchen.

The chimney breast served a back boiler and is usually still standing, so there is a shallow recess on one side of the room. Parades of this period usually keep a service road or a yard behind them, so a full order can arrive at the back and the dining room stays laid up while it does. Terraces and gardens live outdoors all year. Sill height gets settled with the template on site, because it is one of the few dimensions nobody has measured before we arrive. None of that is scribed against on a table, since it stands clear of every wall, so the awkwardness moves from the back edge to the floor and the base. The base carries the weight and the floor carries the base.

A short hard approach with no steps means a full-length piece can be walked in flat by two people rather than turned up on edge. A table order is many small pieces rather than one long one, so the route decides how many trips the delivery takes rather than how big anything can be. Pieces are numbered so none of them is carried twice. Unrestricted kerbside is straightforward as long as the space in front of the property is actually clear when the van arrives. The bases are the heavy half of the delivery, so the pallet is dealt with first while there are still hands free for it. A suspension costs less than a lost fit-out morning.

Not especially, and pretending otherwise would be simple enough. What the research on this patch actually lists is worktop templating, worktop fabrication and worktop replacement. It is a fact about the local housing rather than about the work. The job is quoted, cut and fitted the same way wherever on the patch it lands. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. Table work arrives as a batch by its nature, and a batch means one slab run rather than the same colour ordered twice a year apart. The batch reference goes on file with the drawing. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. A room opening in a second phase is worth naming now, while the material is still on the ground and a match is a telephone call. Repeat work is quoted against the original, not from scratch.

A dishwasher door on one side and an oven door on the other cannot both stand open in a narrow aisle, so which appliance goes where matters more in this shape than in any other. A table top answers to none of that, since it meets no wall and needs no scribe, but the pieces come off the same slab as the counter and the colour has to carry across both. A poseur height changes the base and not the blank. Material alone is £110 to £550 per square metre, and templating, fabrication and fitting are never folded into that figure.

A window board sitting below finished worktop height leaves two choices, drop the top under it or notch the stone around it, and both cost more than a straight run. Where a floor falls away, the levelling is done by winding out the feet under each base rather than by packing anything under the stone. A shallow room decides the diameter early. Confirm how many covers go outside, and tell us whether the outdoor bases share the pattern of the indoor ones, since they often do not. Because the money comes out of a household rather than a maintenance budget, phasing is common: tops now, island or splashbacks later, quoted so the second visit still matches the first. A table top bolted to a base you already own is loose furniture rather than a fixture, so it leaves with the operator at the end of a term. A licence to alter is not needed for something unfixed.

Grooves are machined in the workshop at the same time as the bowl cut-out, because they cannot be done well in a kitchen. A groove set needs a clear stretch of worktop beside the bowl, so it competes with the run for length instead of being free surface. The bowl position has to be settled before templating, since the grooves are set out from it. The old larder leaves behind a thick cold shelf and a vent brick through the outer wall, and both have to go before that wall reads flat. Table tops sit outside all of that, because a top touches no wall at all and every one of its edges is profiled, polished and on show. A true circle comes off a machine and never off a hand.

Where there is a lift, whether it can be booked out and padded matters as much as its size. Doorways, the newel post and the handrail usually take the room away, rather than the stairs themselves. A piece travels on edge, never flat, because on edge is how stone of that length carries its own weight. Where the van stands level with the front of the house a piece gets handled twice instead of five times, and stone breaks on handling rather than on the road. Tops travel upright in a padded frame, and it is the frame rather than the person carrying it that has to clear the tightest turn. The last thing carried in is the first one set out.

Disposal means it goes in the van, not into the garden to wait for a collection. Old tops are screwed or glued from underneath, so the drawer boxes come out before the worktop does. What comes out goes by the same route the new stone comes in by, which is why that route is walked before anything is lifted. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. Where the standing is short the pieces are counted off at the tail lift against the plan rather than checked once they are already inside. Pieces are staged inside before the van is moved off.

If it is a decision for later, say so at the template: the match is a question about the batch. An upstand covers the gap where the worktop meets a wall that is not flat, which is its real job. What decides between them is usually the wall: what it is built of, how flat it is, and where the sockets ended up. An inter-war terrace is wider than a Victorian one and shallower than a semi, so the kitchen is a compact square room rather than a galley. The units are wider than an older shopfront, which is what makes a long wall of two-seaters work, and a repeated size is the single cheapest decision on the order because it nests tightly and makes a spare piece worth holding. Converted houses mean several sizes, not one.