Stone bar tops in Wennington

Yes. Wennington is on the patch, and the postcodes we work here are RM13. It is worked on our east London run, along with the rest of Havering. A free-parking street with cars both sides can still leave the van forty metres away, and that distance is carry, not driving. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. The bar top waits on the van until the frame is level. You never have to visit anything or collect anything: we template in your kitchen and fit in your kitchen.

A range or an Aga in an original recess is usually immovable, so the run is designed around it and the clearances come from the appliance. There is normally room here for a genuine bar rather than a seating overhang, which means a rear counter, a small sink and a run of shelving being drawn as one piece of joinery with the stone reading across all of it. A bar built as furniture is templated as furniture. A chimney breast left in place splits a wall into two alcoves, and the two are rarely the same width and rarely parallel to each other. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. A sloping floor is a problem for the stools, not the top.

The van gets close to the door and the stone comes off the tail lift onto a trolley, which is about the shortest carry we ever get. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. A polished front edge is protected from the tail lift to the frame. Where the van can pull up level with the gate the pieces are handled the fewest times, which is what actually protects them. A trade bar is fitted around opening times, so the window the van has and the window the room has are rarely the same window. A licensed room sets the hours and the parking has to agree.

Not especially, and pretending otherwise would be simple enough. What the research on this patch actually lists is worktop templating, worktop fabrication and worktop installation. It is a fact about the local housing rather than about the work. The job is quoted, cut and fitted the same way wherever on the patch it lands. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. A bar in constant use is a maintenance decision as well. Extension work runs late far more often than it runs early, and the worktop is close to the last thing in, so the date agreed at the start is rarely the date that happens. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. One detail across several rooms keeps the fixings the same.

A full-depth tall unit projects past the worktop line, and the run has to be scribed against its side panel instead of carrying on past it. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. Stools need floor as well as knee room, and both are drawn. Material alone is £110 to £550 per square metre, and templating, fabrication and fitting are never folded into that figure.

Alcove pieces get cut oversize on both scribe edges, with the true wall angles carried on the template drawing rather than assumed. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. What the bar wraps around is templated, never assumed square. Send the bar layout with the rear counter and any sink marked, the seating side and stool count, and the edge profile you want on the front. The decision usually gets made standing in the room rather than at a desk, which is why a slab is worth viewing whole instead of choosing from a sample card. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. Seating height is set to a person or to a standard, and stated.

A join added to get stone into the room is a different thing from a join added because the slab ran out, and the quote says which is which. Splitting a run costs a join, and that is the price of getting stone into the room at all. Where there is a lift, whether it can be booked out and padded matters as much as its size. A short hard approach with no steps means a full-length piece can be walked in flat by two people rather than turned up on edge. A top with a bonded apron on the front arrives deeper than a worktop and behaves like a beam, so there is no easing it round a turn at all. Nothing is leaned on a stud wall while it waits to be fitted.

What comes out goes by the same route the new stone comes in by, which is why that route is walked before anything is lifted. Old laminate is light and awkward rather than heavy, so it is usually the easier half of the day. Unrestricted does not mean empty, and a street that is clear at seven is usually full by nine. Where the clock is running the frame is levelled and the steel is in before the top ever leaves the tail lift. Nothing is rushed off a tail lift onto an unsupported nose.

Nothing is cut out in the kitchen. Cutting a bowl on site is how worktops get cracked. A tap under a window board still needs room for its handle to lift, which is checked at the template. A Belfast or butler sink has to be installed and at its final height before the template, because the stone is cut to sit on it. Where the sink and the hob face each other across the aisle, everything carried between them crosses the walkway, and that is the one movement the shape cannot design out. Where the counter runs flush with the working surface instead of standing above it the whole thing becomes one plane, which looks better and doubles the unsupported span. The bar length answers to the seats, not to the wall behind it.

Ordered later from a different batch, the match is not reliable where the two pieces meet. The joint between splashback and worktop is siliconed, never grouted, so it can move a little without cracking. It is quoted by area like the worktop, so a long run is a material line rather than a trim. Ceiling beams cross the room at a height that decides where a piece can be stood on edge and where it cannot. There is normally room here for a genuine bar rather than a seating overhang, which means a rear counter, a small sink and a run of shelving all drawn as one piece of joinery. What the room will take decides the stool count.