Stone bar tops in Bushey Mead

Yes. Bushey Mead is on the patch, and the postcodes we work here are SW20. It is worked on our south west London run, along with the rest of Merton. A free-parking street with cars both sides can still leave the van forty metres away, and that distance is carry, not driving. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. A bar fit is a day, not a drop. The work comes to you. We template in your kitchen and fit in your kitchen, with nothing to visit or collect.

These went up as handed pairs, so in one house of the two the kitchen sits against the party wall and in the other it takes the alley side, and only one of them has an outside wall to work with. These bars nearly always land at the open end of a knocked-through kitchen and dining room, which means the piece is read from both sides and both sides get the same edge treatment rather than one being left as a cut face. Wide doors make piece length a choice rather than a limit. An alcove is commonly wider at the back than at the front, so a piece cut to the opening drops in and then stands off the rear wall. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. A sloping floor is a problem for the stools, not the top.

A side gate hung to open outward against a fence post is narrower in use than it measures, and lifting the gate off its hinges is usually the quickest win on the route. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. Nothing is leaned on a stud wall while it waits to be fitted. Where the van can pull up level with the gate the pieces are handled the fewest times, which is what actually protects them. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. Steel and corbels are unloaded before the stone is.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop installation, worktop replacement and worktop templating. That is a point about the buildings round here, not about the job. The quoting, the cutting and the fitting are identical here to anywhere else we work. An open-plan extension puts the worktop in the middle of the living space, so it is looked at from the sofa as well as worked on. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. Drinks left standing decide the material more than looks do. Extension budgets are usually well spent by the time the worktop is ordered, which is where the choice between quartz and a thinner sintered stone actually gets made. Harder use and stronger cleaning products push the answer towards porcelain or sintered stone, because a resin-bound surface is the one that shows what has been left standing on it. A bar is the piece most likely to be added after the kitchen.

Some of them overhang on two sides at once, and each side is worked out separately, because the load on an edge people lean against is not the load on an edge people walk past. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. Stools need floor as well as knee room, and both are drawn. The material band is £110 to £550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

The face of a breast is rarely flat, and a top returning onto it picks up that bow across the last few hundred millimetres of its length. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. What the bar wraps around is templated, never assumed square. Confirm the finished height you want and whether the bar is seen from both sides, and tell us who is building the frame and when it will be complete. The householder is normally on site at template, and that is the right time to settle sink position, tap centres and overhang rather than agree them by email. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. The support is specified for the next occupant as well.

The edge profile is its own line, so a shaped edge and a square one are two different figures. Nothing is payable until the template, and the template measures the room as it stands rather than estimating from a plan. What is quoted is what the drawing says, and the figure does not move unless the drawing does. Old breasts carry a bulge low down where the original opening was closed up, and the units stand off it before the stone is measured at all. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. The support plan is drawn at the same time as the cut-out.

Taking the old tops off and disposing of them is its own line on the quote rather than something folded into the stone price. The tap and waste have to be disconnected by a plumber before we start and reconnected once the stone is in. The carcasses stay put. Only the surface changes. Unrestricted does not mean empty, and a street that is clear at seven is usually full by nine. A trade bar is fitted around opening times, so the window the van has and the window the room has are rarely the same window. The bar top waits on the van until the frame is level.

A seal is not waterproofing. It only buys time to wipe a spill up. Bleach and limescale remover harm a polished finish rather than clean it, whichever material is on the units. Topping a seal up is a wipe-on job with a cloth. A serving hatch through to the dining room was standard, and where it has been blocked up the patch sits on a different plane to the wall either side of it. The side passage is usually wide enough for a full length to reach the room, so piece length is decided by the slab and by what the frame will carry rather than by the front door. Noggins first, brackets second, stone last.

The grooves sit inside the depth of the top with stone left either side, so a shallow run limits them. Grooves are machined in the workshop at the same time as the bowl cut-out, because they cannot be done well in a kitchen. They read strongly across a dark stone and are nearly invisible on a pale one, so look before deciding. Where the side return has been filled in, one side of the new room is old brick and the other is new blockwork, and the two do not behave alike. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. The seating side is the side the piece is drawn from.