Kitchen worktops in Monument

Yes. The flats here are small city apartments in converted upper floors, and kitchens are typically an L of 2.4-3m with a compact appliance run, often opening straight into the living space. Because the buildings are narrow and deep, the kitchen usually has no window and sits against an internal wall, so a stone splashback and a matching windowsill-height upstand is the standard finish. Where the van can pull up level with the gate the pieces are handled the fewest times, which is what actually protects them. A replacement is a two-way job, with old tops going out and new stone coming in, so the van needs to stay put across the whole day. Old tops out and new stone in, both through the same gap.

upper-floor flat in a Victorian commercial building, modern apartment over retail, narrow lane building conversion and postwar block with residential floors. External walls are thick and the run under the window sits in a deep reveal that has to be templated rather than assumed square. A mansion block is a logistics job before it is a stone job. What is under the old top is the real question.

The lanes running down toward the river between Eastcheap and Lower Thames Street are narrow, one-way and steeply graded in places, and several are pedestrian-only during the working day. Building entrances are often a single street door with a straight stair to the upper floors, no lift, and no room at all to set a slab down while you rest. Stone goes up on edge, and it is the half-landing turn rather than the flight itself that sets the maximum piece. Worth remembering that the old tops have to come out the way the new ones come in, and a laminate run is easier to remove in one length than to carry in one. It sets what the day actually looks like.

Worktop replacement, worktop splashbacks & upstands and worktop templating, in that order. Where kitchens turn over between tenancies the priority is a surface that survives a decade of being treated as a chopping board. No stone is ever cut from a plan, which is inconvenient exactly when a programme is tight. Units fitted, fixed and level first. The gradient on the lanes down to the river means a loaded trolley will run away from you - chock it or carry it, do not push it downhill.

The return piece is the awkward one on a slab: short, full depth, and rarely nesting neatly against the long lengths, so yield rather than area is what moves the material figure. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Joint placement is a decision, not an accident. A notch around a boxed stack is machined with a radius at the internal corner, because a square inside corner there is exactly where a top will crack. The old top has been hiding it, so the first honest look at it happens when the laminate comes off. The laminate has been covering it up. Material runs from £110 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines rather than rolled into one figure.

A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. A template booked hopefully around another trade is the commonest cause of a wasted visit. Fitted, fixed and level, then we come. Tell us the building when you book and the lift, the stair turn and any freeholder notice get built into the day rather than found on it.