Stone bar tops in St Paul's Cray

Yes. St Paul's Cray is on the patch, and the postcodes we work here are BR5. It is worked on our south east London run, along with the rest of Bromley. Unrestricted does not mean empty, and a street that is clear at seven is usually full by nine. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. What comes off the van first is whatever holds the top up. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

The communal entrance is a single leaf on a strong closer, and it has to be held by a person rather than a wedge while a piece goes through. Rooms in this stock are compact, so a bar usually replaces a table rather than sitting alongside one, and it is drawn for two or three stools with enough floor left to get past them. The frame is built to the room and the stone answers to the frame. A floor that falls across the depth of a run rather than along it tips the carcasses front to back, and packing the front feet changes the overhang while it fixes the level. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. Anything that flexes under the nose shows up at the join.

Grass and gravel will not take a loaded trolley, so a boarded track gets laid from the gate to the door before the first piece moves. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. Steel for the overhang is carried in and fixed before the stone. A skip, a delivery lorry or a run of scaffolding takes the frontage the van needed, so the street is worth a look the day before rather than on the morning. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. The van stands for the frame as well as the top.

Not really, and there is no sense dressing it up. What the research on this patch actually lists is worktop replacement, worktop installation and worktop splashbacks & upstands. That is a statement about the local housing rather than about the work. It gets quoted, cut and fitted exactly as it would anywhere else on the patch. Quartz suits let property well: no sealing, no annual maintenance, and nothing an incoming tenant has to be told to look after. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. An overhang on a plan is not an overhang with steel under it. A worktop replacement between tenancies is a single-day job by design, because the flat is not earning while it is empty. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. A bar goes in last, so it is measured last.

A doorway partway along one wall breaks that side into two separate pieces, and two short pieces cost more between them than the single long one they replace. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. The overhang is drawn before the layout is signed off. Material sits between £110 and £550 per square metre supply only, and templating, fabrication and fitting are quoted line by line.

Once the carcasses are levelled the gap under the plinth varies along the run, and that varying gap is the honest record of what the floor is doing. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. A column in the middle of a bar is a decision, not a surprise. Send a photograph of every corner of the room so we can see the boxings, the length you want, and how many stools you expect to use. Where the provider has set the specification the material choice was made once for a great many kitchens, and the useful work is meeting it exactly rather than proposing something else on the day. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. A chipped front edge can be dressed in place.

Doorways, the newel post and the handrail usually take the room away, rather than the stairs themselves. The lift, if there is one, is measured on the diagonal, because that is the dimension a long piece actually uses. A join added to get stone into the room is a different thing from a join added because the slab ran out, and the quote says which is which. A step up to a patio or a raised threshold at the back door means the piece is lifted rather than rolled, and that is where the crew size gets decided. The steel and the corbels travel that same route and go in first, so a bar is three separate carries into one room rather than a single delivery. A bonded apron makes the piece deeper than the doorway expects.

Quartz and sintered stone never need sealing: quartz is non-porous and sintered stone has effectively zero porosity. Bleach and limescale remover harm a polished finish rather than clean it, whichever material is on the units. Where a top takes wine, oil and lemon most days, the non-porous materials ask least of the household. Kitchens sit one above another on the same line up the block, so the stack a sink joins is shared with the flats above and below it. The one advantage here is the fabric: dense blockwork holds a fixing properly, which makes a wall-carried front edge realistic where a stud partition would not allow it at all. A cellar bar is set to the headroom first.

The fitting itself is one visit: a plain run is a morning, an island with splashbacks takes most of the day. The template is taken in your kitchen after the units are in and fixed, never before. Templating and fitting are two visits, not one, and the gap between them is when the stone is actually cut. The balcony door frequently opens off the kitchen, which puts a threshold, a draught and a well-used route through one end of the run. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. Drinks stand on it for hours, which changes the material answer.

It is quoted by area like the worktop, so a long run is a material line rather than a trim. Upstand or splashback, the stone is cut from the same slab run as the worktop, at the same time, so the batch actually matches. Socket and switch positions have to be final before templating, because the openings are machined rather than chopped out on the wall. Flats are handed in pairs about the stair core, so half the kitchens in the block are the mirror image of the other half. Space is tight, so a bar here tends to replace a table rather than sit alongside one, and the piece is drawn for two or three stools rather than a row of them. Old floors move, so the bar is fixed back as well as down.