Stone bar tops in Wimbledon

Yes. Wimbledon is on the patch, and the postcodes we work here are SW19. It is worked on our south west London run, along with the rest of Merton. The van is not staying on a main road for the day, so once the stone is off it goes and parks properly somewhere else. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. The frame is checked before anything comes off the van. The template happens in your kitchen and so does the fit, so there is nothing to visit and nothing to collect.

The rear wall is usually a single brick thick and has been rendered, patched and re-rendered, so it bows in and out along the length of the run. In a cellar the headroom fixes the counter height first and everything else works back from it, and the stair down is the tightest part of the route because stone carried downward is harder to control than stone carried up. Scribed at the back and free at the front. Where a breast interrupts a long wall the join can often go there, so it reads as a natural break rather than a line in the middle of a worktop. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. The support plan is drawn at the same time as the cut-out.

A piece carried on edge up a flight has to clear the ceiling above the stairs as well as the walls either side of it. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. A bonded apron makes the piece deeper than the doorway expects. A red route means no stopping, and no stopping means exactly that, so the stone comes in from a side street or from a bay behind the property. A trade bar is fitted around opening times, so the window the van has and the window the room has are rarely the same window. A red route buys minutes and a bar top needs hours.

Not really, and claiming otherwise would cost nothing and mean nothing. What the research on this patch actually lists is worktop replacement, worktop templating and worktop installation. It reflects the local housing rather than any difference in the work. It is quoted, cut and fitted here the same way it is anywhere else on the patch. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. The evening use is what the piece is sized for. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. Harder use and stronger cleaning products push the answer towards porcelain or sintered stone, because a resin-bound surface is the one that shows what has been left standing on it. Bars are quoted as their own item, never as extra metreage.

A peninsula is an island with one end tied to a run, which means the join between them has to be planned rather than allowed to happen. Where the counter runs flush with the working surface instead of standing above it the whole thing becomes one plane, which looks better and doubles the unsupported span. The nose line is drawn first and everything works back from it. Supply-only material is £110 to £550 per square metre, and templating, fabrication and fitting are quoted separately rather than rolled in.

The returns into a breast recess are the tightest scribes in the room, and they are eased in rather than forced. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. A bar top will not correct a frame that is out of true. Send the length you want, the number of stools, and photographs walking from the pavement through to the room, including the cellar stair if the bar is going down there. Whoever manages the block controls the lift booking, the bin store and the visitor parking, and none of that sits in the gift of the household whose kitchen it is. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. Sealing a bar top is a yearly job and we say so.

On a replacement the old top comes off in the morning and the new stone is down and sealed the same day. The tap and waste have to be disconnected by a plumber before we start and reconnected once the stone is in. If you want the old top kept for a garage or a utility, say so and it stays on site. Where the frontage is a clearway the unload happens away from the door and the carry gets longer, which is a crew and time question rather than a stone one. Where the clock is running the frame is levelled and the steel is in before the top ever leaves the tail lift. Packaging and offcuts go back the way the top came in.

The alternative to a join is a shorter run, which is usually the wrong thing to trade away. An external stair, a side return or a rear garden counts as carry and is measured the same way. Splitting a run costs a join, and that is the price of getting stone into the room at all. Open-tread and cantilevered stairs give nothing to lean a piece against, so the whole weight stays on the crew for the full length of the flight. The steel and the corbels travel that same route and go in first, so a bar is three separate carries into one room rather than a single delivery. The frame is built in the room; only the top has to travel.

The template produces a drawing, and the workshop cuts to that drawing once you agree it. The fit follows 5 to 10 working days after the template, and nothing is cut before that visit because nothing is cut from a plan. No money changes hands before the template. The rear wall of the addition carries both the back door and the window, which leaves very little unbroken wall for a run to sit against. A bar top put into a room like that is an overhang question first, because the nose has to carry people leaning on it long after the slab has stopped being interesting. Everything under the nose is agreed before a slab is chosen.

Taking the old tops away is a line rather than an assumption, so it comes off if you do not want it. Cut-outs, edge profile and join count are itemised, so taking one out removes a line rather than starting an argument. No installed price per square metre is published, because it is not a real number. An alcove is commonly wider at the back than at the front, so a piece cut to the opening drops in and then stands off the rear wall. Anything that puts a notch in a bar takes material out of the piece at the point people lean on it, so the notch and the support are drawn together or not at all. Fixings go into timber that was put there for them.