Stone bar tops in Barbican

Yes. Barbican is on the patch, and the postcodes we work here are EC2Y. It is worked on our City of London run, along with the rest of the Square Mile. A bus lane along the frontage brings its own hours with it, and stopping in one is enforced the same way the red route is. A bar fit runs longer than a worktop run, because the frame, the support and the stone are three stages and only the last of them is quick. One van, one bar, one visit. Template and fit both happen at the property, so there is nothing to drive to and nothing to collect.

The window sits in the middle of the run over the sink, and its board and cill set the limit on how tall an upstand can be. A bar in this stock is nearly always a short breakfast counter on the end of a run, and the end is exactly the point where the load lands with the least underneath it. Wide doors make piece length a choice rather than a limit. Where two pieces meet over a fall in the floor the join has to be flush to the hand as well as true to the level, because the eye reads the join and forgives the room. On a bar that counts twice over, because the same obstruction has to be cleared by the stone above it and by the knees of whoever is sitting at it. What carries the overhang is fixed to structure, not to lining.

The lift is only part of the route, and the corridor from the lobby to the flat door often holds a tighter turn than the car does. That matters more on a bar than on a run, because a join forced by the way in cannot be allowed to land in the unsupported part of the nose. Cellar bars go down a flight, which is the harder direction. The van is not staying on a main road for the day, so once the stone is off it goes and parks properly somewhere else. That has to cover more than the unload, since the corbels, the flat bar and the fixings all come off the van well before the top does. Where parking is tight the hardware walks in ahead of the stone.

Honestly, no, though it would be easy to claim otherwise. What the research on this patch actually lists is worktop replacement, worktop templating and worktop splashbacks & upstands. That says something about the housing round here, not about the work. Quote, cut and fit are the same here as on any other part of the patch. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. A bar is nearly always the last thing added to a project, so it is templated on a visit of its own once the joinery around it has stopped moving. Where the use is hard, the surface is chosen for it. Several units in one building are fitted out to the same drawing, so an error on that drawing is an error repeated in every flat. Where the same detail is repeating across several rooms the support gets standardised once and then cut to length, which is cheaper than drawing it each time. A late bar is a separate visit and the quote says so.

Handles on opposing runs meet in the middle of the aisle, so a deep edge profile specified on both sides takes width out of the standing space twice over. A bar laid over that is a second level rather than a wider one, so it wants a spine underneath it and a settled detail where the two heights meet. Support follows the seating plan along the whole nose. Reckon on £110 to £550 per square metre for the material supply only, with templating, fabrication and fitting itemised separately.

Floors settle, and once base units are packed and levelled properly the stone sits true while everything else in the room admits it is not. A bar top is levelled to itself rather than to what it stands on, so the packing goes into the frame and the stools take up whatever the floor is doing. A corbel never lands where a knee goes. Tell us what the end of the run is built off, send the length and projection you want, and confirm whether there is rear access into the kitchen. Someone who expects to still be there in ten years asks different questions: how a honed finish marks, what a sealer does and does not do, and whether a chip by the sink can be repaired in place. A home bar is discretionary work, so the edge profile, the corbel detail and the radius on the nose are worth settling properly rather than defaulting to whatever is quickest. Fixings into structure are agreed before they are drilled.

A join forced by the route still sits over a gable, so it is no poorer a join for that. An external stair, a side return or a rear garden counts as carry and is measured the same way. A piece travels on edge, never flat, because on edge is how stone of that length carries its own weight. A rated load sounds ample until three lengths of granite and two fitters are standing on it, so the stone goes up one piece at a time. A top with a bonded apron on the front arrives deeper than a worktop and behaves like a beam, so there is no easing it round a turn at all. Front tier and back tier are carried and set as two pieces.

Undermount bowls are cut and polished in the workshop and dry-fitted to the stone on the bench before anything is loaded. Each cut-out is priced on its own line, so a range, a bowl and a half, a boiling tap and a drainer are four items rather than one. If the sink or hob changes after the template, the drawing changes first and nothing is cut meanwhile. Older houses put the boiler or the meter on one of the two walls, and whatever is boxed in around it sets the point where that run has to stop. Where the counter runs flush with the working surface instead of standing above it the whole thing becomes one plane, which looks better and doubles the unsupported span. An overhang on two sides is two separate calculations.

Variation past what packing can take up has to be corrected in the carcasses before we cut, because the template records the units as they stand. Levelling belongs in the carcasses, on their own legs and packers. Packing takes up small variation. It is not there to hide something that belongs in the units. A junction between an original floor and a later extension slab is almost never at the same level, so units carrying a run across it need packing first. Where the nose has to be carried past something fixed the support moves rather than the stone, since a corbel landing in the knee space is worse than no corbel at all. The bar is packed level off the frame, not off the floor.

Join count and position are settled from the template drawing rather than improvised on the fitting day. Dark and heavily veined stone shows a join more than a pale even one, which is worth knowing before the slab is picked. A join is glued and clamped flush on the day, so it is fixed rather than something to be undone. The two runs are read against each other rather than against the floor, so they are set to one datum taken across the aisle instead of measured up from the boards. The seating side is the part that decides the piece, because a stool at the open end puts a load on a corner that a wall would otherwise have been carrying. The bar is set out from the seat and worked back to the units.