Splashbacks and upstands in Aldersbrook

Yes. Aldersbrook is on the patch, and the postcodes we work here are E12. It is worked on our east London run, along with the rest of Redbridge. Where the household has used up the visitor permits it gets for the year, the remaining options are a suspension or a paid bay and both belong on the quote. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. These travel flat and get carried on edge, and both want room. There is nothing to drive to and nothing to pick up, because both visits are to the property itself.

Deep original skirting is often left in behind the units, standing them off the wall, so the back edge of the stone is plotted where the carcasses actually sit. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here, it rides the bow and hides the junction the worktop can never close on its own. The wall makes that decision, not the brochure. Where a corner is a couple of degrees off, a mitre cut to a theoretical ninety degrees opens on the wall side and there is no closing it afterwards. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. The panel takes its height off the steel.

Whether the kitchen sits straight ahead or off a turn at the end of the hall changes the maximum piece far more than the hall width does. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. It decides panel size before anything is cut. Estate roads inside a controlled zone are sometimes managed privately rather than by the council, which changes who has to be asked. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. Where the van has to move, the panels come in first.

Honestly, no, though it would be easy to claim otherwise. What the research on this patch actually lists is worktop installation and worktop replacement. That says something about the housing round here, not about the work. Quote, cut and fit are the same here as on any other part of the patch. Extension work runs late far more often than it runs early, and the worktop is close to the last thing in, so the date agreed at the start is rarely the date that happens. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Cut with the tops while the batch is open. Where a family has been living around a building site for months, the finish date carries more weight than any other part of the specification. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Cut as a set, so one can replace another.

The two runs are rarely the same length, and the shorter one often carries the sink, which puts the cut-outs in the piece with the least material to spare. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. The run decides where that joint falls. Expect £110 to £550 per square metre for material supply only, with templating, fabrication and fitting on their own lines.

The stone carries the scribe because the wall cannot be persuaded, so back edges are cut oversize and eased in rather than dropped straight down. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. Upstands sit tight because both edges are cut. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. The same building type can arrive as a careful one-off kitchen or as a fast turnaround, and the honest answer is that they are priced differently. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. One visit for upstands, two for full-height panels.

Quartz carries resin, so a hot pan wants a trivet, while granite and sintered stone will take one without complaint. Granite is porous to varying degrees, so it is sealed when we fit it and topped up over the life of the worktop. Sealing is the one maintenance job that genuinely differs by material, and it is worth knowing which you are buying before the slab is chosen. These were built late enough to have a damp course and proper footings, so the front of the house is close to true and the rear addition holding the kitchen is the part that has dropped. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. Cut from the same slab run as the tops.

If the sink or hob changes after the template, the drawing changes first and nothing is cut meanwhile. A Belfast or butler sink has to be installed and at its final height before the template, because the stone is cut to sit on it. A tall bank of housings at one end takes a chunk out of the working run, so the usable length of that side is always less than the length of the wall behind it. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. The panel seam sits over the worktop seam.

A long top on units that were shimmed once and never checked is the commonest version of this, and it is cheap to fix beforehand. A sloping floor is not the problem. The plane the unit tops finish in is. An island is where this usually shows, standing free with no wall to level against. A room can be out of square in both directions at once, so the wall that leans is also the wall that runs downhill, and one scribe cannot answer both. It decides whether the run gets one continuous piece or a set of separate lengths with a joint at every obstruction. A breast return is scribed on three edges.

Plumbing, gas and electrical work are not in the figure, because we do not do them. Every run, cut-out, edge, join and groove set is a line, which is what makes it comparable with anyone else’s. Two kitchens the same length can be far apart, because material, edge and cut-outs move independently of size. Plaster thickness varies over the height of a wall, so the line at worktop height is not the line at skirting level, and the units decide which one matters. A mitred external return around it has to come from the same position in the slab, or the pattern visibly steps at the corner. Set it proud on a subframe and the gap becomes deliberate.