Worktop templating in Brixton Hill

Yes. Brixton Hill is on the patch, and the postcodes we work here are SW2. It is worked on our south London run, along with the rest of Lambeth. The realistic answer on a main road is an early slot, a spotter on the van and pieces staged in one movement rather than several trips. A templater circling for a space arrives late into a slot that was already tight, and the drawing is what suffers. It goes on the job sheet for the fitting crew. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

These were built with a scullery that has since been swallowed by an extension, leaving a change of floor level roughly where the run crosses. Victorian party walls and chimney-breast returns bow along their length, so the template plots the real line rather than assuming a straight one - the template picks up points every few hundred millimetres down the back of the run and the drawing carries that curve through to the saw. Recorded as it is, not as it was drawn. Kitchens in converted villas sit on suspended timber floors that flex under a stone island, so check for a supporting wall or add noggins before committing to anything freestanding.

The hill itself is the constraint, steep front paths, steps up to raised ground floors and long staircases inside converted houses. Permit parking applies and the main road has bus lanes, so the van usually sits on a side street with a climb to the door. Weight tells on a staircase more than anywhere else, because there is nowhere to set a piece down mid-flight and no way to change your grip once it is moving. Door widths, turn diagonals and any change of level are recorded on the drawing alongside the run dimensions. It goes on the drawing with the run dimensions.

Yes. On the research for this patch it is the first of the three jobs listed, ahead of worktop replacement and worktop installation. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. The template visit is booked once the units are genuinely in, not when they are nearly in. Appliances on site, not on order. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. No stone is ever cut from a plan, which is inconvenient exactly when a programme is tight. The room as it is, not as it was drawn.

On a heavily veined stone the island and the run behind it are nested off the same area of slab so the movement relates across the room. The template records every angle in that shape as it actually is rather than as the plan drew it. One datum for the whole room. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Legs bottoming out on hard concrete or an uneven screed mean the tops of the carcasses are not one plane, and that is picked up at template rather than on fitting day. One measurement never describes it, which is why a tape reading taken before the visit rarely matches the template. Measured at worktop height, nowhere else. Units fixed and packed level over the sloping floor, walls replastered and dry at their final thickness (tiling and splashbacks go on after the worktop, never before), and the sink, tap and hob physically on site, with a Belfast sink built in and set at its finished height. A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. The template happens when the units are in, fixed and level, whoever is fitting them. No stone is cut from a plan.