Splashbacks and upstands in Ladbroke Grove

Yes. Ladbroke Grove is on the patch, and the postcodes we work here are W10, W11. It is worked on our west London run, along with the rest of Kensington and Chelsea. Loading exemptions on red routes are narrow, time-limited and heavily camera-enforced, so we plan around them rather than relying on them. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Two hands and a clear route, or it waits on the van. We come to the kitchen to template and again to fit, so there is nothing to visit and nothing to collect.

The combination boiler hangs on whichever wall happened to be external, and that decision has already used up a stretch of the only wall the run wanted. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here, it rides the bow and hides the junction the worktop can never close on its own. Old plaster rarely gives you a flat metre. Old breasts carry a bulge low down where the original opening was closed up, and the units stand off it before the stone is measured at all. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. The panel takes its height off the steel.

Stone goes up on edge, and it is the half-landing turn rather than the flight itself that sets the maximum piece. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Upstands make almost any turn a worktop will not. The realistic answer on a main road is an early slot, a spotter on the van and pieces staged in one movement rather than several trips. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. The longer the walk, the fewer the panels per trip.

No, not particularly, and it would be easy to say otherwise. What the research on this patch actually lists is worktop replacement and worktop installation. That is the local housing talking rather than anything about the job. It is priced, cut and fitted no differently here than anywhere else we cover. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Same batch, or the join will say so. Several units in one building are fitted out to the same drawing, so an error on that drawing is an error repeated in every flat. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Ordered together, or the match is luck.

Corner sinks and corner hobs sit exactly where the joint wants to be, so on an L the cut-out positions get settled before the join positions do. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. Scribe to the wall rather than stretch the panel. The material band is £110 to £550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Two alcove pieces will not swap over however similar they look, so they are marked left and right at the bench and stay that way to the van. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Upstands sit tight because both edges are cut. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. One owner can take a date next week while the flat below needs three weeks of notice, so several kitchens in one building end up scheduled by the slowest permission. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Fitted with the tops if it was decided with them.

A sloping floor is not the problem. The plane the unit tops finish in is. Units have to be fixed down as well as levelled. A loose carcass moves under stone. The check comes before the measuring rather than after, because the whole drawing is set out from that plane. A chimney breast left in place splits a wall into two alcoves, and the two are rarely the same width and rarely parallel to each other. It decides whether the run gets one continuous piece or a set of separate lengths with a joint at every obstruction. A breast return is scribed on three edges.

The workmanship guarantee runs 5 years on every kitchen we fit. Every piece is dry-assembled on the bench before it is loaded, so a fabrication mistake is found in the workshop rather than in your kitchen. A remade piece is cut from the same slab run wherever the slab allows, because a replacement from another batch will not match across a join. A walk-up with winders at every half-landing means the piece is rested and re-gripped on the way, so the crew size goes up before the piece size comes down. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. Two people to a panel, however light it looks on the van.

Granite tells you when the seal wants topping up: water stops beading on the surface and starts darkening it instead. A seal is not waterproofing. It only buys time to wipe a spill up. Topping a seal up is a wipe-on job with a cloth. The front door of the building sits at the top of a step off a tiled path, so the carry starts outside the building rather than at the door of the flat. A 100mm upstand bedded on silicone is the honest answer where the plaster bows, because it rides what a tall panel exposes. The wall gets made good first or the gap shows.

A join forced by the route still sits over a gable, so it is no poorer a join for that. The lift, if there is one, is measured on the diagonal, because that is the dimension a long piece actually uses. Doorways, the newel post and the handrail usually take the room away, rather than the stairs themselves. Communal stairs get boarded and the handrail padded, and we walk the route with a tape before the first piece leaves the van. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. The ceiling over a staircase limits a standing panel as much as the walls.