Worktop replacement in Askew Road

Yes. Askew Road is on the patch, and the postcodes we work here are W12. It is worked on our west London run, along with the rest of Hammersmith and Fulham. With no scheme to work with there is nothing to book and nobody to ring, so the only levers left are an early arrival and a word with the neighbours. A replacement is a two-way job, with old tops going out and new stone coming in, so the van needs to stay put across the whole day. The old tops leave in one movement rather than piece by piece. Nothing needs visiting and nothing needs collecting: the template is in your kitchen and so is the fit.

A small room puts the sink, hob and tap cut-outs close together on one short length, and the bridge of stone left between them decides whether it can be cut in one piece. In most Victorian terraces the kitchen sits in the back addition, so you get a narrow galley with one outside wall and nothing square to work off. The floor has dropped since the kitchen went in. Plaster thickness varies over the height of a wall, so the line at worktop height is not the line at skirting level, and the units decide which one matters. The old top has been hiding it, so the first honest look at it happens when the laminate comes off. Strip out first, then measure what is actually there.

Where the hall runs straight through to the back the piece can be walked in flat, and it is only the two door frames that have to be cleared. Worth remembering that the old tops have to come out the way the new ones come in, and a laminate run is easier to remove in one length than to carry in one. Timing the two carries is most of the planning. Unrestricted kerbside is straightforward as long as the space in front of the property is actually clear when the van arrives. Waste is the part people forget: the old laminate or tired granite has to be walked back to the van and it does not get lighter. Where the van must move, the waste goes on first.

Yes. On the research for this patch it is the first of the three jobs listed, ahead of worktop installation. An open-plan extension puts the worktop in the middle of the living space, so it is looked at from the sofa as well as worked on. The carcasses have to be sound, because stone is several times the weight of what is coming off. A day, not a project. Extension budgets are usually well spent by the time the worktop is ordered, which is where the choice between quartz and a thinner sintered stone actually gets made. Old tops out in the morning, new stone down and sealed the same afternoon. A void week is the entire schedule.

Peninsulas frequently land on a lightweight partition or on units that were never fixed down, and stone needs proper support under it before it goes on. The existing layout is being kept, so the question is whether the old carcasses will take stone in that shape without more support. Stone wants gables where laminate needed none. Stone is £110 to £550 per square metre supply only, and the templating, the fabrication and the fitting each carry their own line.

Two walls each a degree out give an internal corner two degrees out, and the whole of that error lands in the mitre. We would rather find it at template than on the morning, which is why the templater looks behind the units. The old carcasses are rarely level and never were. Have a plumber booked to disconnect the sink, tap and waste first thing and reconnect after we have gone, and clear the hallway and stairs completely so we can carry slabs through the house. The same building type can arrive as a careful one-off kitchen or as a fast turnaround, and the honest answer is that they are priced differently. A replacement keeps the units and changes the surface, which is the least disruptive way to do this in an occupied property. One day out of use, agreed in advance.

The same firm templates and fits. Nobody else is brought in to install. Upstands and splashbacks are templated after the worktop is down and settled, so they are a separate visit. Templating and fitting are two visits, not one, and the gap between them is when the stone is actually cut. A hundred and forty years of alterations sit under the current kitchen, and the worktop is what has to sit flat on top of all of it. The units stay and only the surface changes, so the job is a day, and what makes it a difficult day is the building. How old the kitchen is decides how long preparation takes.

A piece is never laid flat across a gap while it is moved, because that is how stone cracks unaided. Door frames and the stair route are protected too, since most contact happens on the way in. A remake goes back through the same cutting and polishing, so it is a return visit rather than a patch. Turning a heavy piece on edge indoors needs floor space at both ends of the turn, so the hall is cleared of furniture before anything comes off the van. With no room to turn, the old top gets cut up in the kitchen instead, which is dusty work and needs the room emptied first. The room is cleared for the way out as much as the way in.

An old stone top is heavier coming out than the new one is going in, and leaves in sections. The tap and waste have to be disconnected by a plumber before we start and reconnected once the stone is in. The units are untouched. Only the top of them changes. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. We stage the strip-out so the old tops leave in one trip rather than trickling out across the afternoon. A skip on the frontage takes the space the van needed.

Small variation is taken up by packing under the top on the fitting day. Level is checked at the template, which is the point of measuring in the room rather than off a drawing. A sloping floor is not the problem. The plane the unit tops finish in is. A scribe has a working limit, and past twenty millimetres or so the back edge starts eating depth the run cannot spare. A laminate top was scribed thin at the back to swallow it, and stone cannot be shaved down the same way. A filler strip is evidence, not decoration.