Splashbacks and upstands in Bermondsey

Yes. Bermondsey is on the patch, and the postcodes we work here are SE1, SE16. It is worked on our south east London run, along with the rest of Southwark. Where the frontage is a clearway the unload happens away from the door and the carry gets longer, which is a crew and time question rather than a stone one. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Standing a panel on the pavement is the last resort. Your part of it happens entirely at home, with nothing to travel to and nothing to bring back.

The meters sit in the hall or under the stairs on the way through, so the carry passes a cupboard door that has to be shut and protected before anything moves. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. A reveal in a thick wall changes where the panel stops. Walls that bow along their length are the normal condition rather than the exception, and a straight-cut back edge will show a shadow gap at one end and touch at the other. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. A breast return is scribed on three edges.

Communal stairs get boarded and the handrail padded, and we walk the route with a tape before the first piece leaves the van. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. It decides panel size before anything is cut. Loading exemptions on red routes are narrow, time-limited and heavily camera-enforced, so we plan around them rather than relying on them. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. Handling is where these pieces get damaged.

No, not particularly, and it would be easy to say otherwise. What the research on this patch actually lists is worktop installation and worktop replacement. That is the local housing talking rather than anything about the job. It is priced, cut and fitted no differently here than anywhere else we cover. An open-plan extension puts the worktop in the middle of the living space, so it is looked at from the sofa as well as worked on. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. The offcuts finish the room. Extension budgets are usually well spent by the time the worktop is ordered, which is where the choice between quartz and a thinner sintered stone actually gets made. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Less to clean, for whoever cleans it.

Galley runs are usually short enough to come out of a single slab, so the material band you choose does more to the total than the room shape does. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. External corners are mitred, not butted. The material band is £110 to £550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

A run can measure dead right at both ends and still belly out in the middle, which only appears once the template plots the intermediate points. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. Set it proud on a subframe and the gap becomes deliberate. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. One staircase can serve an owner on the first floor and a managed tenancy on the second, so the access arrangement changes at every landing while the building stays the same. Full-height panels need the wall made good first, which is another trade and another timescale. What repeats across flats is recorded once and repeated.

The tap hole is drilled in the workshop too, and its position depends on how far the tap has to swing. A boiling tap needs a hole of its own and a cupboard below for the tank, so the units change too. The walkway between the two runs is fixed by the units either side, so any overhang added to one worktop comes straight off the space somebody has to stand in. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. Panel height is set by the extractor.

Upkeep is settled when the slab is chosen, since it belongs to the material rather than the fabrication. Day to day all three want soap and water; abrasive creams and scouring pads are what dull a polished surface. A seal is not waterproofing. It only buys time to wipe a spill up. The back addition is a narrow two-storey outrigger with a single external wall, and the kitchen galley runs the length of it. A 100mm upstand bedded on silicone is the honest answer where the plaster bows, because it rides what a tall panel exposes. Blown plaster comes off before stone goes on.

The tap and waste have to be disconnected by a plumber before we start and reconnected once the stone is in. Tiling bonded to the wall behind usually comes away with the old top, so that wall is agreed beforehand. Carcasses stay. Surface changes. That is the whole of it. The realistic answer on a main road is an early slot, a spotter on the van and pieces staged in one movement rather than several trips. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. One trip is always better than three.

Tiling and stone can meet, but where they meet is decided before the template rather than after. The joint between splashback and worktop is siliconed, never grouted, so it can move a little without cracking. Stone up a wall is heavier than tile and bonded rather than hung, so the wall has to be sound. A long piece has to come through the front door, down the hall, round the newel post and through a doorway with a step down into the addition. A full-height panel in a chimney recess is templated as a trapezium, since that recess is square in neither direction. The wall build-up sets the depth of the return.