Kitchen worktops in Brentham Garden Suburb

Yes. Small original kitchens in Arts and Crafts cottages with limited permitted development, so the work is making a compact 2.5m to 3.5m kitchen function properly. Honed finishes and simple square edges suit the houses. Off-street parking means the van stays put all day, so tools, packers and the offcut we would rather have than not are all within reach. The templating visit needs somewhere to stop for two or three hours, which is a different problem from unloading for twenty minutes. The templater needs a proper stop, not a pause.

Edwardian Arts and Crafts cottage, garden suburb terrace and 1900s-1910s cooperative housing. A small room puts the sink, hob and tap cut-outs close together on one short length, and the bridge of stone left between them decides whether it can be cut in one piece. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. The wall makes that decision, not the brochure.

Conservation area with narrow lanes, greens and hedged frontages, few driveways, and controls on skips and scaffolding that need arranging well ahead. Even an easy kerbside carry wants the pavement clear at the tail lift, because a three-metre piece on edge has a swing radius nobody expects until it is swinging. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Joint positions follow from that.

Worktop templating, worktop installation and worktop splashbacks & upstands, in that order. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. The fitting day is scheduled to suit that rather than to suit the diary. One visit, done properly. The conservation controls mean the kitchen stays exactly where it is, so this is a fitting and scribing problem rather than a design one.

The catch with a galley is that both runs are seen end-on from the doorway, so any difference in overhang between the two reads immediately. The template records every angle in that shape as it actually is rather than as the plan drew it. One datum for the whole room. A run can measure dead right at both ends and still belly out in the middle, which only appears once the template plots the intermediate points. On the day it means dry-laying, marking, and cutting the scribe on site before anything is bonded. Dry-lay, mark, cut, then bond. Material runs from £110 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines rather than rolled into one figure.

A street with houses in single occupation next to the same houses cut into flats produces two completely different jobs from the same elevation. The fitting day is arranged with whoever can actually give us access for the whole slot. Access for the whole slot, or a different day. Tell us the building when you book and the lift, the stair turn and any freeholder notice get built into the day rather than found on it.