Splashbacks and upstands in Harmondsworth

Yes. Harmondsworth is on the patch, and the postcodes we work here are UB7. It is worked on our west London run, along with the rest of Hillingdon. With no scheme to work with there is nothing to book and nobody to ring, so the only levers left are an early arrival and a word with the neighbours. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. The crate exists for the walk from the van. The work comes to you. We template in your kitchen and fit in your kitchen, with nothing to visit or collect.

Ceiling beams cross the room at a height that decides where a piece can be stood on edge and where it cannot. These runs are long and often include a range recess, so the splashback is nearly always more than one piece and the joint placement matters, put it in a corner or over a hob centre line, not randomly in the middle of a clear run. The wall makes that decision, not the brochure. Where the sill lands inside the height an upstand would occupy there is no upstand, and the stone either dies into the reveal or stops short of it. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. Nothing gets hidden behind a full-height panel.

Where the hall runs straight through to the back the piece can be walked in flat, and it is only the two door frames that have to be cleared. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Full height goes in only where the way in allows full height. Unrestricted kerbside is straightforward as long as the space in front of the property is actually clear when the van arrives. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. A tall panel and a timed bay is the worst combination here.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop installation and worktop fabrication. That is a point about the buildings round here, not about the job. The quoting, the cutting and the fitting are identical here to anywhere else we work. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. The cheap way to make eight kitchens look specified. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Wipe-down beats sealed grout on a turnaround.

Corner sinks and corner hobs sit exactly where the joint wants to be, so on an L the cut-out positions get settled before the join positions do. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. Socket cut-outs are machined, not chipped in on site. The stone is £110 to £550 per square metre supply only, and templating, fabrication and fitting are quoted separately.

Casement handles and stays swing down into the space above the worktop, so the clearance that counts is the one measured with the window open. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. The reveal decides where the stone dies. The range and extractor must be sited and the window cill finished before the template, as both fix the vertical limits of the splashback. Where someone is living in the house through the work, the strip-out and the fit are planned so the kitchen is out of use for a day and not a week. Full-height panels need the wall made good first, which is another trade and another timescale. Deferred is workable; undecided is not.

The tap and waste have to be disconnected by a plumber before we start and reconnected once the stone is in. On a replacement the old top comes off in the morning and the new stone is down and sealed the same day. The carcasses stay put. Only the surface changes. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. They go in with the first load where the stop is short.

Bleach and limescale remover harm a polished finish rather than clean it, whichever material is on the units. Day to day all three want soap and water; abrasive creams and scouring pads are what dull a polished surface. The bead where the sink and hob meet the stone is siliconed rather than sealed, and wants watching. The floor is often flags or brick laid straight on the ground, so it is solid, uneven and not going to be levelled by chasing into it. Granite or sintered stone goes behind a range rather than quartz, because a resin binder does not enjoy sustained radiant heat. Cut from the same slab run as the tops.

Packing takes up small variation. It is not there to hide something that belongs in the units. If the carcasses are corrected, the template is taken again, since a drawing off units that then moved is worthless. A long top on units that were shimmed once and never checked is the commonest version of this, and it is cheap to fix beforehand. A low sill over the sink run is what decides between an upstand and stone dying into a window board, and there is often less clearance than an upstand is tall. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. A bowed wall shows on a panel and hides under an upstand.

Delivery to the workshop has to be arranged and dated, since nothing is nested until it is there. The quote is itemised, so a job where you already hold the slab is the same job with the material line taken off it. Remnants bought elsewhere are the awkward case, because the drawing is then made to fit the stone. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. Upstands are the cheapest way to finish several kitchens consistently, and they come out of the offcuts the tops leave behind. Plot spec panels are ordered by the plot, not the room.