Splashbacks and upstands in Ladywell

Yes. Ladywell is on the patch, and the postcodes we work here are SE13, SE4. It is worked on our south east London run, along with the rest of Lewisham. A free-parking street with cars both sides can still leave the van forty metres away, and that distance is carry, not driving. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Rushing the last piece off the van is how panels break. We come to the kitchen to template and again to fit, so there is nothing to visit and nothing to collect.

Deep original skirting is often left in behind the units, standing them off the wall, so the back edge of the stone is plotted where the carcasses actually sit. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. A chimney breast breaks the run and the panels follow it. A window board sitting below finished worktop height leaves two choices, drop the top under it or notch the stone around it, and both cost more than a straight run. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. Mitred returns come from one place in the slab.

Every flight adds a set of handling movements, and handling is where stone gets damaged, so a fourth-floor walk-up is priced by the flight rather than by the metre. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Two people to a panel, however light it looks on the van. Where the van can pull up level with the gate the pieces are handled the fewest times, which is what actually protects them. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. Two hands and a clear route, or it waits on the van.

No, not particularly, and it would be easy to say otherwise. What the research on this patch actually lists is worktop replacement and worktop fabrication. That is the local housing talking rather than anything about the job. It is priced, cut and fitted no differently here than anywhere else we cover. A converted flat is measured off the original house, so no two units in the same building have quite the same kitchen run. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Same batch, or the join will say so. Kitchens go in near the end of a conversion, behind the plastering and the flooring, by which point the programme has already absorbed whatever slipped earlier. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Ordered together, or the match is luck.

A galley closed at one end takes a short return across the top, and that little piece carries the same edge work, the same handling and nearly the same cost as a full length. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. The seam sits in shadow or it sits in a corner. The supply-only figure for material runs £110 to £550 per square metre, and templating, fabrication and fitting are lines of their own.

A cill projecting forward of the plaster line pushes the back edge out, and the units then stand off the wall by that amount for the whole length. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. The pier takes a joint against it, not across it. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. Flats bought out of managed stock keep the original kitchen dimensions long after the ownership changed, so the layout says very little about who is paying for the work. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Fitted with the tops if it was decided with them.

Undermount bowls are cut and polished in the workshop and dry-fitted to the stone on the bench before anything is loaded. Each cut-out is priced on its own line, so a range, a bowl and a half, a boiling tap and a drainer are four items rather than one. Walls at both ends mean two scribes on every piece, and a run that has to drop between two fixed points has no tolerance left to give away. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. A galley shows both walls at the same time.

The quote is itemised, so a job where you already hold the slab is the same job with the material line taken off it. Thickness has to be known before quoting, since it decides the edge, the cut-outs and what the units carry. Studio and one-bed conversions put the whole kitchen against a single wall, so the job is one run and everything depends on that one length. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template.

Stone does not flex, so a run that rocks on its carcasses rocks just as badly once it is stone. A sloping floor is not the problem. The plane the unit tops finish in is. Small variation is taken up by packing under the top on the fitting day. Where the sill lands inside the height an upstand would occupy there is no upstand, and the stone either dies into the reveal or stops short of it. It decides whether the run gets one continuous piece or a set of separate lengths with a joint at every obstruction. A window board below worktop height ends the upstand argument.

Upstand or splashback, the stone is cut from the same slab run as the worktop, at the same time, so the batch actually matches. If it is a decision for later, say so at the template: the match is a question about the batch. The joint between splashback and worktop is siliconed, never grouted, so it can move a little without cracking. These were built late enough to have a damp course and proper footings, so the front of the house is close to true and the rear addition holding the kitchen is the part that has dropped. A 100mm upstand bedded on silicone is the honest answer where the plaster bows, because it rides what a tall panel exposes. Where the plaster undulates, the shorter piece wins.