Splashbacks and upstands in Oakwood

Yes. Oakwood is on the patch, and the postcodes we work here are N14. It is worked on our north London run, along with the rest of Enfield. Block paving bedded on sand can rut under a fully loaded van, and that is said to the customer beforehand rather than explained afterwards. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. Two hands and a clear route, or it waits on the van. There is nothing to drive to and nothing to pick up, because both visits are to the property itself.

The rear wall now carries french or folding doors across most of its width, so a whole side of the room opens and a long piece comes straight in off the garden. These kitchens are nearly always retiled at least twice, and stripping the old tiles takes the bottom course of plaster with it because the original laminate top ran underneath the tiles rather than up to them. The wall gets made good first or the gap shows. A window board sitting below finished worktop height leaves two choices, drop the top under it or notch the stone around it, and both cost more than a straight run. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. Full height wants a flat wall behind it.

Garden routes carry their own hazards: a drain cover, a step up to a patio, wet decking, or a lawn that will not take a loaded trolley. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. A tall panel cannot be tilted to clear a turn, so it is sized not to need to. Where the drive is shared, the half-hour the van spends in the way is agreed with the neighbour in advance rather than apologised for at the time. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. The longer the walk, the fewer the panels per trip.

Honestly, no, though it would be easy to claim otherwise. What the research on this patch actually lists is worktop installation. That says something about the housing round here, not about the work. Quote, cut and fit are the same here as on any other part of the patch. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. The offcuts finish the room. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Less to clean, for whoever cleans it.

It is the heaviest single piece in the kitchen, so the number of hands needed on the day and the route in are worked out from that piece rather than from the runs. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. The seam sits in shadow or it sits in a corner. Reckon on £110 to £550 per square metre for the material supply only, with templating, fabrication and fitting itemised separately.

A cill projecting forward of the plaster line pushes the back edge out, and the units then stand off the wall by that amount for the whole length. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Each obstruction is another joint, and it is priced as one. The old tiling must be off and the wall made good and dry before templating, not on fitting day. The householder is normally on site at template, and that is the right time to settle sink position, tap centres and overhang rather than agree them by email. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. A deferred splashback still comes off this drawing.

Variation past what packing can take up has to be corrected in the carcasses before we cut, because the template records the units as they stand. Stone does not flex, so a run that rocks on its carcasses rocks just as badly once it is stone. Levelling belongs in the carcasses, on their own legs and packers. Where the sill lands inside the height an upstand would occupy there is no upstand, and the stone either dies into the reveal or stops short of it. It decides whether the run gets one continuous piece or a set of separate lengths with a joint at every obstruction. The panel takes its height off the steel.

A mitred join at a corner is a different job from a butt join along a run, and they are not priced the same. There are only ever a few legal positions, and the one taken is furthest from the light. A join is glued and clamped flush on the day, so it is fixed rather than something to be undone. Whether it comes off the same slab as the run behind it or needs one of its own is settled by laying both against the usable area of the slab, not by adding the metres up. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. A galley shows both walls at the same time.

Undermount bowls are cut and polished in the workshop and dry-fitted to the stone on the bench before anything is loaded. A boiling tap needs a hole of its own and a cupboard below for the tank, so the units change too. The offcut taken out of the middle for a hob is a large usable piece, and it is worth deciding early whether it becomes an upstand or goes in the skip. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Return ends are polished, not left sawn.

Every piece goes in by hand and stone does not bend, so the tightest turn on the route sets the longest piece. Doorways, the newel post and the handrail usually take the room away, rather than the stairs themselves. The carry route is measured before anything is cut, so a piece that will not make the turn is split at the drawing stage rather than discovered on the day. A side gate hung to open outward against a fence post is narrower in use than it measures, and lifting the gate off its hinges is usually the quickest win on the route. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. Panels are carried on edge from the tail lift to the wall.