Splashbacks and upstands in Pimlico

Yes. Pimlico is on the patch, and the postcodes we work here are SW1V. It is worked on our central London run, along with the rest of Westminster. Without a bay the van ends up on a single yellow with a crew member watching it, which takes a pair of hands off the carry. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Cornice, picture rails and deep skirting survive in converted rooms, so the run stands off the wall and the back edge follows the units rather than the plaster. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here, it rides the bow and hides the junction the worktop can never close on its own. Cut from the same slab run as the tops. Post-war estate kitchens use non-standard cabinet depths and out-of-square corners from the original concrete frame - template every corner, do not assume 90 degrees.

Estate blocks are the constraint - low-rise sections with no lift at all, walkway access, and communal doors that must not be wedged. Street parking is permit and pay-by-phone with a lot of resident pressure, and the wider stucco streets have suspended bays for other trades most weeks. Weight tells on a staircase more than anywhere else, because there is nowhere to set a piece down mid-flight and no way to change your grip once it is moving. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. It decides panel size before anything is cut.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop replacement, worktop templating and worktop installation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. A kitchen carved out of a larger room sits under whatever the original plan left behind, so the run frequently ends at a blocked doorway or a boxed-in service. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Sockets final before template. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Siliconed to the worktop, never grouted.

Galley runs are usually short enough to come out of a single slab, so the material band you choose does more to the total than the room shape does. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Walls that bow along their length are the normal condition rather than the exception, and a straight-cut back edge will show a shadow gap at one end and touch at the other. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. An upstand rides what a panel exposes. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. Consent for the work sits with the freeholder or the managing body, and getting it in writing first avoids a crew arriving to a locked door. Full-height panels need the wall made good first, which is another trade and another timescale. Same slab run as the tops.