Splashbacks and upstands in Bedford Park

Yes. Bedford Park is on the patch, and the postcodes we work here are W4. It is run from the High Wycombe side, covering Buckinghamshire & Berkshire. Permit hours are what matters, not the permit itself, because a bay that frees up at six in the evening is no use for a template at ten. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

Wider halls make the carry noticeably easier, and that alone can remove a join that a narrower terrace would have forced into the run. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. Cut from the same slab run as the tops. Listed and locally listed fabric means you cannot chase the wall for an upstand, so scribing to 140-year-old lime plaster is the actual job.

Conservation area controls mean skips and scaffold need permits, frontages are gravel with hedges rather than hardstanding, and the side gates are too narrow for a slab. Most stone goes in through the front door and down the hall. Rear access usually lets us fit longer pieces whole, so the join count ends up decided by the slab rather than by the building. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. It decides panel size before anything is cut. Tell us what the approach looks like when you book the template and it gets built into the day rather than discovered on it.

It is one of the three we do most here, behind worktop templating. Same template visit, same workshop, same installers either way. Rear and side-return extensions are where the islands appear, and an island is the piece that decides whether one slab does the kitchen or two. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Sockets final before template. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Siliconed to the worktop, never grouted.

A galley puts the sink on one side and the hob on the other, which spreads the cut-outs across two pieces instead of weakening one. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. The joint to the worktop is siliconed, never grouted. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a corner is a couple of degrees off, a mitre cut to a theoretical ninety degrees opens on the wall side and there is no closing it afterwards. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. Scribed, dubbed out, or set proud. Pick one. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. The same building type can arrive as a careful one-off kitchen or as a fast turnaround, and the honest answer is that they are priced differently. Full-height panels need the wall made good first, which is another trade and another timescale. Decided before fabrication, not after.