Splashbacks and upstands in Wimbledon

Yes. Wimbledon is on the patch, and the postcodes we work here are SW19. It is worked on our south west London run, along with the rest of Merton. A red route means no stopping, and no stopping means exactly that, so the stone comes in from a side street or from a bay behind the property. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Panels come across in one pass with the route already cleared. The measuring and the fitting are both done at the property, so there is nothing to visit or collect.

These were built late enough to have a damp course and proper footings, so the front of the house is close to true and the rear addition holding the kitchen is the part that has dropped. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. The wall makes that decision, not the brochure. The returns into a breast recess are the tightest scribes in the room, and they are eased in rather than forced. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. Behind the boxing it becomes two pieces.

A short run of external steps before the communal door means a piece is lifted twice before the staircase proper has even started. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. They stand upright in the van and stay upright until they are on the wall. Where the frontage is a clearway the unload happens away from the door and the carry gets longer, which is a crew and time question rather than a stone one. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. A short bay slot is when the tall pieces get damaged.

Not really, and claiming otherwise would cost nothing and mean nothing. What the research on this patch actually lists is worktop replacement and worktop installation. It reflects the local housing rather than any difference in the work. It is quoted, cut and fitted here the same way it is anywhere else on the patch. Rear and side-return extensions are where the islands appear, and an island is the piece that decides whether one slab does the kitchen or two. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Upstands turn batch offcuts into finished rooms. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. The cheap way to make eight kitchens look specified.

A peninsula projects into circulation space, so its outer corners usually take a radius rather than a point, and that radius is agreed at template rather than assumed. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. The run decides where that joint falls. Supply only, material is £110 to £550 per square metre, with templating, fabrication and fitting quoted on their own lines.

An alcove is commonly wider at the back than at the front, so a piece cut to the opening drops in and then stands off the rear wall. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. Nothing gets hidden behind a full-height panel. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. One staircase can serve an owner on the first floor and a managed tenancy on the second, so the access arrangement changes at every landing while the building stays the same. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Two attendances need two people to be in.

The template produces a drawing, and the workshop cuts to that drawing once you agree it. A template on a normal kitchen takes two to three hours in the room. No money changes hands before the template. Lath and plaster, a settled floor and a hall with a turn in it are the three things that decide how this job runs. What decides between a slim upstand and full-height stone is nearly always the wall rather than the taste. Sockets move on paper more easily than in stone.

Slabs come in finite sizes, so a long run needs a join whatever the room looks like. A mitred join at a corner is a different job from a butt join along a run, and they are not priced the same. A finished join is typically two to three millimetres, colour-matched and sanded flush. Peninsula tops are often the longest single piece in the kitchen, so if anything in the layout is going to force a second slab it is generally this one. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. The panel seam sits over the worktop seam.

Cut-outs, edge profile and join count are itemised, so taking one out removes a line rather than starting an argument. No installed price per square metre is published, because it is not a real number. Two kitchens the same length can be far apart, because material, edge and cut-outs move independently of size. The face of a breast is rarely flat, and a top returning onto it picks up that bow across the last few hundred millimetres of its length. It decides whether the run gets one continuous piece or a set of separate lengths with a joint at every obstruction. The reveal decides where the stone dies.

A sit-on sink and an undermounted one are different cut-outs, so which it is gets settled before the template. A piece with a bowl and a hob cut into it is the fragile one, and it is handled accordingly. A peninsula is an island with one end tied to a run, which means the join between them has to be planned rather than allowed to happen. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. External corners are mitred, not butted.