Worktop replacement in Beckton

Yes. Beckton is on the patch, and the postcodes we work here are E6, E16. It is worked on our east London run, along with the rest of Newham. Having the van on the drive means the load can be staged, so the heavy pieces come off last and go straight in instead of standing outside. A replacement is a two-way job, with old tops going out and new stone coming in, so the van needs to stay put across the whole day. A skip on the frontage takes the space the van needed. The template happens in your kitchen and so does the fit, so there is nothing to visit and nothing to collect.

Deep original skirting is often left in behind the units, standing them off the wall, so the back edge of the stone is plotted where the carcasses actually sit. In most Victorian terraces the kitchen sits in the back addition, so you get a narrow galley with one outside wall and nothing square to work off. What is under the old top is the real question. Where two pieces meet over a fall in the floor the join has to be flush to the hand as well as true to the level, because the eye reads the join and forgives the room. The old top has been hiding it, so the first honest look at it happens when the laminate comes off. The alcove was never square and it still is not.

The van gets close to the door and the stone comes off the tail lift onto a trolley, which is about the shortest carry we ever get. Worth remembering that the old tops have to come out the way the new ones come in, and a laminate run is easier to remove in one length than to carry in one. Half a day can go on the strip-out where the way in is tight. A dropped kerb wide enough for a car is not always wide enough for a long-wheelbase van, and the width of the crossing decides the rest. We stage the strip-out so the old tops leave in one trip rather than trickling out across the afternoon. The waste leaves with us, so the van has to still be there.

Yes. On the research for this patch it is the first of the three jobs listed, ahead of worktop installation. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. The carcasses have to be sound, because stone is several times the weight of what is coming off. A void week is the entire schedule. Extension work runs late far more often than it runs early, and the worktop is close to the last thing in, so the date agreed at the start is rarely the date that happens. Old tops out in the morning, new stone down and sealed the same afternoon. A plumber either side of us.

A breakfast bar on the outer side is an overhang like any other, and the support under it is sized for people leaning on the end rather than for the weight of the stone alone. The existing layout is being kept, so the question is whether the old carcasses will take stone in that shape without more support. The strip-out is the part worth planning. Supply-only material is £110 to £550 per square metre, and templating, fabrication and fitting are quoted separately rather than rolled in.

Floors settle, and once base units are packed and levelled properly the stone sits true while everything else in the room admits it is not. This is the commonest reason a replacement turns out to need more than a straight swap. What passed for a fit in chipboard will not pass in stone. Have a plumber booked to disconnect the sink, tap and waste first thing and reconnect after we have gone, and clear the hallway and stairs completely so we can carry slabs through the house. One owner can take a date next week while the flat below needs three weeks of notice, so several kitchens in one building end up scheduled by the slowest permission. A replacement keeps the units and changes the surface, which is the least disruptive way to do this in an occupied property. Out and in on the same permission.

On a porous stone the grooved area is sealed with the rest, and it gets wet more than anything else. A groove set is its own item on the quote rather than something rolled in with the sink cut-out. Machining is permanent. If a later kitchen moves the sink, the grooves stay where they were cut. Lower ground floor kitchens are reached by a stair with a winder in it, and the head height over that winder is lower than the room at either end. The units stay and only the surface changes, so the job is a day, and what makes it a difficult day is the building. How old the kitchen is decides how long preparation takes.

An old stone top is heavier coming out than the new one is going in, and leaves in sections. Taking the old tops off and disposing of them is its own line on the quote rather than something folded into the stone price. The units stay where they are and only the surface changes. Where a car has to come off the drive first, it is worth knowing whose car it is and whether the keys are in the house on the morning. Two loads share the one space here, the old tops waiting to go and the new stone waiting to come in. Both loads want the same few metres of kerb.

A piece is never laid flat across a gap while it is moved, because that is how stone cracks unaided. Damage found on the bench never leaves the workshop, and damage on the carry is remade under the same cover. Floors and units are protected before anything comes through the door. A short hard approach with no steps means a full-length piece can be walked in flat by two people rather than turned up on edge. With no room to turn, the old top gets cut up in the kitchen instead, which is dusty work and needs the room emptied first. Nothing new comes down a hall still full of old top.

Topping a seal up is a wipe-on job with a cloth. A seal is not waterproofing. It only buys time to wipe a spill up. Marble is the one people underestimate. It is porous, like granite, and wants sealing. These were built late enough to have a damp course and proper footings, so the front of the house is close to true and the rear addition holding the kitchen is the part that has dropped. Lath-and-plaster and bowed brickwork mean we template for scribes rather than straight cuts, and each piece is offered up and eased in rather than dropped straight down. Sound carcasses are the one condition.