Splashbacks and upstands in Kew

Yes. Kew is on the patch, and the postcodes we work here are TW9. It is worked on our south west London run, along with the rest of Richmond upon Thames. Without a bay the van ends up on a single yellow with a crew member watching it, which takes a pair of hands off the carry. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. Handling is where these pieces get damaged. We template in your kitchen and fit in your kitchen, so there is nothing to visit and nothing to collect.

A long piece has to come through the front door, down the hall, round the newel post and through a doorway with a step down into the addition. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here, it rides the bow and hides the junction the worktop can never close on its own. Decided before fabrication starts. Conservation rules keep the extensions narrow, so the run ends up long and thin - watch the overhang at the return where the wall kicks out.

Conservation area covering most of the streets, so skips and scaffolding are consented and frontages are protected; parking is permit-controlled all day and the level crossing and one-way loops make the approach slow. Where the van stands level with the front of the house a piece gets handled twice instead of five times, and stone breaks on handling rather than on the road. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. It decides panel size before anything is cut.

Not particularly, and it would be easy to pretend otherwise. What the research on this patch actually lists is worktop templating, worktop installation and worktop design & quotation. That is a statement about the local housing rather than about the work. It is quoted, cut and fitted exactly the same way here as anywhere else on the patch. Rear and side-return extensions are where the islands appear, and an island is the piece that decides whether one slab does the kitchen or two. Splashbacks and upstands are cut from the same slab run at the same time, which is the only way the batch actually matches. Siliconed to the worktop, never grouted. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Same batch, same run, same day.

An island is a single visible piece with four finished edges and no wall to hide against, so it is the piece the whole kitchen is judged on. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. Joint placement is a decision, not an accident. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

Where a run finishes into a reveal, the depth of that reveal is taken at worktop height and nowhere else. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. An upstand rides what a panel exposes. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. Mixed ownership means the decision-maker is not always the person who lets us in, so it is worth being clear early about who signs the quote off. Splashbacks are cut from the same slab run as the tops, so they have to be decided before fabrication, not after. Same slab run as the tops.