Splashbacks and upstands in Scrattons Farm

Yes. Scrattons Farm is on the patch, and the postcodes we work here are IG11. It is worked on our east London run, along with the rest of Barking and Dagenham. A drive behind an electric gate depends on somebody being in to open it and on the gate staying open while the load comes off. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. These travel flat and get carried on edge, and both want room. Template and fit both happen at the property, so there is nothing to drive to and nothing to collect.

A boiler in a cupboard on the kitchen wall is normal in this stock, and its position is fixed by its flue. Post-war terraces are typically blockwork or early lightweight block with a hard render coat, and the kitchen has usually been reconfigured at least once, leaving patched areas of newer plaster next to original render that sit at different depths. Dry lining behind a panel needs a fixing plan of its own. Where a breast interrupts a long wall the join can often go there, so it reads as a natural break rather than a line in the middle of a worktop. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. Height follows the sill, not the plan.

The van gets close to the door and the stone comes off the tail lift onto a trolley, which is about the shortest carry we ever get. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. A polished face close to an edge does not survive a knock. Some drives are wide enough for the van and too short for the tail lift, because the tail lift needs its own clear metre behind the vehicle. Splashbacks are normally the last thing off, so a short parking window is exactly when they get rushed. Where the van has to move, the panels come in first.

Honestly, no, though it would be easy to claim otherwise. What the research on this patch actually lists is worktop replacement and worktop installation. That says something about the housing round here, not about the work. Quote, cut and fit are the same here as on any other part of the patch. A new extension slab is not automatically level, and that wants checking before templating rather than after the stone is cut. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Full height behind the hob is less for a tenant to scrub. The junction between the original room and the extension is the point to watch, because the two floors rarely sit at the same height. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. Grout lines are the first thing to fail in a let.

Two runs meeting at an internal corner is the most common shape we fit, and the corner is where the decisions are. The same shape decides where splashback pieces break, and a joint in a corner reads as a detail while one in a clear run reads as a mistake. The run decides where that joint falls. Material runs £110 to £550 per square metre supply only, and templating, fabrication and fitting each get their own line.

The returns into a breast recess are the tightest scribes in the room, and they are eased in rather than forced. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. Scribed along the top edge as well. Boiler position, flue and any pipework drops must be settled and the wall skimmed level before templating the splashback run. Someone who expects to still be there in ten years asks different questions: how a honed finish marks, what a sealer does and does not do, and whether a chip by the sink can be repaired in place. A 100mm upstand is the low-maintenance answer, and full-height stone is the one that has to be committed to early. Whoever specifies it signs the drawing.

A remade piece is cut from the same slab run wherever the slab allows, because a replacement from another batch will not match across a join. Door frames and the stair route are protected too, since most contact happens on the way in. The rest of the kitchen still goes in. One damaged piece does not hold up the pieces either side. A short hard approach with no steps means a full-length piece can be walked in flat by two people rather than turned up on edge. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. Panel size is checked against the tightest point rather than the average one.

The fit follows 5 to 10 working days after the template, and nothing is cut before that visit because nothing is cut from a plan. If the units run late the template moves, not the fit: the gap between them is fabrication. There is nothing to pay before the template visit. Doorways are 762mm at best, and the turn from the hall into the kitchen is the pinch point rather than the front door. What decides between a slim upstand and full-height stone is nearly always the wall rather than the taste. Old walls take a scribed upstand better than a rigid panel.

The design and quotation visit is free and carries no obligation, so a figure exists before any commitment. Plumbing, gas and electrical work are not in the figure, because we do not do them. Material is quoted supply only and templating, fabrication and fitting sit on their own lines, so it is visible which part is stone and which is labour. An alcove is commonly wider at the back than at the front, so a piece cut to the opening drops in and then stands off the rear wall. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. The obstruction breaks the length, every time.

The tap hole is drilled in the workshop too, and its position depends on how far the tap has to swing. A boiling tap needs a hole of its own and a cupboard below for the tank, so the units change too. The return piece is the awkward one on a slab: short, full depth, and rarely nesting neatly against the long lengths, so yield rather than area is what moves the material figure. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. The panel seam sits over the worktop seam.