City of London · EC4Y

Splashbacks and upstands in Temple

Stone taken up the wall, cut from the same slab run as your worktop so the batch actually matches.

  • 25-year material · 5-year workmanship
  • Fitted 5-10 working days from template

Get a fixed quote +44 7830 847489

Kitchen worktop fitted by Worktop WorX

Temple kitchens

The kitchens we meet in Temple

What makes splashback and upstand work in Temple worth thinking about properly is that the same worktop behaves very differently depending on what it is being fitted around. Residential sets within the Inns have small kitchens fitted into rooms that were never designed for them, typically a 1.8-2.6m run against a chimney breast or under a sash window, with wiring and plumbing surface-run in trunking. Everything is a careful retrofit rather than a design exercise, and stone is chosen for a hard-wearing surface in a heritage room rather than for a statement island. Send a few photographs of the run and we will tell you which of those you are dealing with before we come out to Temple.

A cast iron soil stack runs down the outside of the rear wall, so moving the sink means a fresh penetration through solid brick. A wall out by a few millimetres over a metre will show behind a full-height panel and disappear behind an upstand. An upstand asks less of old plaster than a panel does.

Rear rooms of this date have a wide sash or a pair of garden doors, so a good deal of the wall the run wants is glass. Where a client wants a full-height piece behind the hob, it usually sits in the old chimney recess, and that recess is rarely square top to bottom or side to side, so it has to be templated as a trapezium rather than a rectangle. Solid plaster on brick takes a panel; a hollow wall wants thought.

The kinds of building we work in here are Inn of Court chambers building with residential sets, listed brick range around a court, postwar rebuild in period style and small flat within a legal building. The template reads them differently even where the layout looks identical.

Polished stone edge profile close up
  • Inn of Court chambers building with residential sets
  • listed brick range around a court
  • postwar rebuild in period style
  • small flat within a legal building

True everywhere

Splashbacks and upstands, in short

  • Cut from the same slab run as the worktop, at the same time.
  • Socket and switch positions must be final before templating.
  • The joint to the worktop is siliconed, never grouted.
  • Upstands are small pieces, so they usually come out of the offcut the worktop leaves.
Borough
City of London
Postcodes
EC4Y
Covered on
our City of London run
Fitted
5–10 working days from template

The place

Why Temple is its own job

Our survey in Temple exists to answer how the stone gets to the room and what it has to be levelled against. The Temple is a private, gated precinct with controlled vehicle entry, porters and its own rules, so access has to be arranged through the Inn's estates office rather than turned up to. Internally it is cobbles and setts in the courts, narrow historic stairs with worn stone treads, and listed joinery you cannot unhang. Worn stone stair treads are slippery and uneven, and a two-man carry on those with a slab on edge is where people get hurt - use a proper frame and take the extra body. The point of the free visit is that we see the Temple job for ourselves rather than guessing at it from an email.

The work

What worktop splashbacks & upstands involves

The pieces are made to the wall they will stand against, so they are not stock items and cannot be ordered from a size. Each one is drawn for its own stretch of wall. Where a run is longer than one sheet will cover, the break is put on a vertical that has a reason to be there, and the two edges are cut as a pair so the seam closes without filler. You end up with sockets and switches sitting in openings machined for them, which is the difference between a panel made for the wall and one cut to clear whatever was on it.

Fitting them is a couple of hours with no water, gas or electricity touched, which is why it usually comes back as a short return visit. Behind a hob the panel usually rises higher than the rest of the run and stops at the extractor instead of at the units. Chimney breasts in these kitchens leave a shallow opening where the range once stood, so the strip has to return into it on both sides. One sheet, two seams, nothing to reseal.

Edge profiles See the options

The money

What it costs in Temple

Cutting from the same slab run as the worktop is what keeps the colour matched, and ordering the two together is cheaper than ordering them apart. Overhangs, a waterfall end and seating all add machining, and an island is where those decisions cluster. Supply-only material is £110 to £550 per square metre. The more useful question is not which end of that you are at, but how many operations the cut list carries. Ordered with the worktop, and cheaper for it.

Victorian and Edwardian terraces

What Temple asks for

Part of the regular mix on this patch. Worktop replacement edges it, and worktop replacement fill out the rest.

Victorian and Edwardian terraces

The building, and what it does to the job

Old breasts carry a bulge low down where the original opening was closed up, and the units stand off it before the stone is measured at all. A tall panel that fits at the worktop will stand off the wall at the top unless the wall is dubbed out or the panel is scribed. A tall panel exposes what an upstand forgives.

Victorian and Edwardian terraces

The carry, and what it rules out

Bollards, planters and a one-way service road can turn what looks like a ten-metre carry into a fifty-metre one. It is usually the full-height panels rather than the tops that will not make the turn, and that only shows up when they arrive. A vertical break is easier to live with than a cracked panel.

Access

Getting stone into a Temple kitchen

Tell us what the approach looks like when you book the template and it gets built into the day rather than discovered on it. Where the route is genuinely tight, it changes how the pieces are cut, which is a fabrication decision rather than a delivery one.

5–10 working days

From template to fitted is 5–10 working days from template. The same on this patch as every other.

City of London patch

Temple is covered on our City of London run, along with the rest of the Square Mile.

We come to you

Templated in your kitchen, cut in our workshop, fitted by our own installers.

Access told straight

If the route forces an extra join, you hear that at quote stage, not on the day.

Questions

Questions we get asked in Temple

If yours is not here, ring and ask. You get a straight answer rather than a call-back from a salesperson.

01

Do you cover Temple?

Yes. Temple is on the patch, and the postcodes we work here are EC4Y. It is worked on our City of London run, along with the rest of the Square Mile. Unrestricted kerbside is straightforward as long as the space in front of the property is actually clear when the van arrives. Panels come off the van in one trip where possible, since a tall piece handled repeatedly is a piece asking to be chipped. Kerb to kitchen is measured before the panels are unstrapped. Nothing needs visiting and nothing needs collecting: the template is in your kitchen and so is the fit.

02

Is there anything about Temple buildings that catches worktop splashbacks & upstands out?

Internal walls are lath on timber studs while the flank walls are brick, so two walls in the same kitchen take a fixing completely differently. Lath-and-plaster on the party wall and the chimney breast returns almost never runs true, so a 100mm upstand bedded on silicone is the honest answer here, it rides the bow and hides the junction the worktop can never close on its own. A chimney breast breaks the run and the panels follow it. Two alcove pieces will not swap over however similar they look, so they are marked left and right at the bench and stay that way to the van. It is usually what pushes a job towards a 100mm upstand instead of a full-height panel, because an upstand rides what a panel exposes. Scribe the top edge too or it stands off.

03

What do you check about the route into a Temple property?

The barrier, the entry code and the estate rules decide when a van can get near the door, and none of that is negotiable on the day. Splashback panels are lighter than a worktop and far more awkward, because a tall thin piece has to be carried on edge and cannot be tilted to clear a turn. Full height goes in only where the way in allows full height. On a street with no restrictions the constraint is other residents rather than a warden, so it is worth putting a cone or a car out early. Upstands travel in a crate and can wait on the van, which gives some flexibility a full-height panel does not. Wind on an open street matters more than the walk does.

04

Is worktop splashbacks & upstands common in Temple?

It is on the short list of three for this patch, with worktop replacement first. Same template, same workshop, same fitters whichever it is. A worktop replacement between tenancies is a single-day job by design, because the flat is not earning while it is empty. Ordered later from a different batch, the match is not reliable exactly where the pieces meet. Sockets move on site far more often than plans do. Agents book this work at short notice, because the void only becomes a real date once the outgoing tenant confirms they are going. Socket and switch positions have to be final before templating, because a cut-out in the wrong place means a new piece. The extension electrician finishes after the drawing did.

05

Why do two Temple kitchens the same size price differently?

Three stools along one side need more clear length than most plans allow, and once the seating depth is fixed the piece either grows or it loses a seat. Long runs almost never take a single panel, so the joint positions want agreeing before anything is templated. Socket cut-outs are machined, not chipped in on site. Material is £110-£550 per square metre supply only, and templating, fabrication and fitting are quoted on their own lines.

06

What has to be finished before you can template?

A chimney breast left in place splits a wall into two alcoves, and the two are rarely the same width and rarely parallel to each other. Where the wall cannot be made good, setting the stone deliberately proud on a subframe with a shadow gap reads as a detail rather than a bad fit. The sill caps the upstand before anything else does. The chimney breast recess must be replastered and fully dry, and the hob and extractor positions fixed, before anyone templates a full-height piece into it. Mixed ownership means the decision-maker is not always the person who lets us in, so it is worth being clear early about who signs the quote off. Full-height panels need the wall made good first, which is another trade and another timescale. The wall has to be ready.

07

What happens to the worktop that comes off?

Disposal means it goes in the van, not into the garden to wait for a collection. Old laminate is light and awkward rather than heavy, so it is usually the easier half of the day. The carcasses stay. Only the surface changes. A free-parking street with cars both sides can still leave the van forty metres away, and that distance is carry, not driving. Full-height panels are the awkward thing to move, light enough to lift and long enough to flex on the way. Standing a panel on the pavement is the last resort.

08

Can a Temple worktop be done in one piece?

Slabs come in finite sizes, so a long run needs a join whatever the room looks like. A join is glued and clamped flush on the day, so it is fixed rather than something to be undone. A mitred join at a corner is a different job from a butt join along a run, and they are not priced the same. Where an overhang is too deep for steel on its own the choice is a leg at the end or a bracket underneath, and a bracket that lands where a knee goes is worse than no bracket at all. Upstands follow the run exactly, so every internal and external corner is a separate mitred or butted piece. A peninsula end takes a panel on both faces.

09

What happens if a piece will not go up the stairs?

The lift, if there is one, is measured on the diagonal, because that is the dimension a long piece actually uses. A piece travels on edge, never flat, because on edge is how stone of that length carries its own weight. Estate roads are often too tight for a long-wheelbase van to turn, so the carry starts a good deal further from the door than a map suggests. Where the route is tight we break a long splashback at a natural vertical joint instead of forcing one panel through. Upstands make almost any turn a worktop will not.

10

Will you fit a worktop I have bought myself?

Say what you have and where it came from before anything is booked, because thickness and batch decide what can be done with it. Remnants bought elsewhere are the awkward case, because the drawing is then made to fit the stone. A managed portfolio tends to repeat one specification across every flat, which keeps later repairs and replacements simple to order. Upstands are the cheapest way to finish several kitchens consistently, and they come out of the offcuts the tops leave behind. Upstands turn batch offcuts into finished rooms.

Reviews

5.0 from 26 Google reviews

Every one of these is on our Google profile under the reviewer’s own name. Nothing here is written by us, and the link goes straight to the source.

Read all 26 See them on Google

★★★★★
“We recently had a Calacatta Gold worktop installed by Worktop Worx and are really pleased with the result. It has completely transformed our kitchen, much brighter, modern, and high-end compared to our old wooden surface. The team were professional, efficient, and the finish is excellent with great attention to detail. The worktop looks amazing and is very practical for everyday use. Highly recommend Worktop Worx for anyone looking for quality quartz worktops.”
RO74 TVXGoogle review · Calacatta Gold
★★★★★
“We had a fantastic experience with Worktop WorX from start to finish. The team was professional, friendly, and delivered excellent workmanship. We chose the beautiful Capri White worktop, and it has completely transformed our kitchen with its elegant, high-end look.”
NoniGoogle review · Capri White
★★★★★
“Karem did a fantastic job at installing my antique bronze mirror for my coffee/drinks unit. He was really professional and his communication throughout was clear.”
KalsGoogle review

Next step

Splashbacks and upstands in Temple, priced properly

Plans, a sketch or photographs with rough run lengths is enough to start. You get an itemised written quote and the template dates we can offer on this patch.

25-year material warranty and a 5-year workmanship guarantee, both stated on your quote.