Worktop replacement in Hither Green

Yes. Hither Green is on the patch, and the postcodes we work here are SE13, SE12. It is worked on our south east London run, along with the rest of Lewisham. Where the permit is a digital session rather than a paper one, somebody in the house has to start it at the hour the van actually arrives. A replacement is a two-way job, with old tops going out and new stone coming in, so the van needs to stay put across the whole day. The waste run is planned, not improvised. The measuring and the fitting are both done at the property, so there is nothing to visit or collect.

Edwardian terraces are wider and taller than the Victorian houses next to them, so the kitchen usually takes a full-width rear room rather than a narrow outrigger. In most Victorian terraces the kitchen sits in the back addition, so you get a narrow galley with one outside wall and nothing square to work off. The old top hid it; the new one will not. Walls that bow along their length are the normal condition rather than the exception, and a straight-cut back edge will show a shadow gap at one end and touch at the other. The old top has been hiding it, so the first honest look at it happens when the laminate comes off. The sill was always low. Nobody had to care until now.

Grass and gravel will not take a loaded trolley, so a boarded track gets laid from the gate to the door before the first piece moves. Worth remembering that the old tops have to come out the way the new ones come in, and a laminate run is easier to remove in one length than to carry in one. Out and in happen along the same protected route. A resident bay and a shared-use bay can sit on the same street under different rules, and it is usually the shared one a visitor permit or a ticket touches. Waste is the part people forget: the old laminate or tired granite has to be walked back to the van and it does not get lighter. It is a full day at the kerb, not a delivery.

Not really, and claiming otherwise would cost nothing and mean nothing. What the research on this patch actually lists is worktop installation and worktop fabrication. It reflects the local housing rather than any difference in the work. It is quoted, cut and fitted here the same way it is anywhere else on the patch. Where a family has been living around a building site for months, the finish date carries more weight than any other part of the specification. The carcasses have to be sound, because stone is several times the weight of what is coming off. One plot replaced years on, matched or otherwise. An open-plan extension puts the worktop in the middle of the living space, so it is looked at from the sofa as well as worked on. Old tops out in the morning, new stone down and sealed the same afternoon. Shared-house tops take a decade of hard use.

Knee room under a breakfast bar is measured from the face of the cabinets rather than from the edge of the stone, so a deep apron quietly eats the depth somebody actually gets to sit in. The existing layout is being kept, so the question is whether the old carcasses will take stone in that shape without more support. The return is remeasured even where it looks unchanged. Supply-only material is £110 to £550 per square metre, and templating, fabrication and fitting are quoted separately rather than rolled in.

A run can measure dead right at both ends and still belly out in the middle, which only appears once the template plots the intermediate points. We would rather find it at template than on the morning, which is why the templater looks behind the units. A straight swap is the exception in an older room. Have a plumber booked to disconnect the sink, tap and waste first thing and reconnect after we have gone, and clear the hallway and stairs completely so we can carry slabs through the house. One owner can take a date next week while the flat below needs three weeks of notice, so several kitchens in one building end up scheduled by the slowest permission. A replacement keeps the units and changes the surface, which is the least disruptive way to do this in an occupied property. A leaseholder still needs the building to consent.

The template produces a drawing, and the workshop cuts to that drawing once you agree it. No money changes hands before the template. A template on a normal kitchen takes two to three hours in the room. The rear wall of the addition carries both the back door and the window, which leaves very little unbroken wall for a run to sit against. The units stay and only the surface changes, so the job is a day, and what makes it a difficult day is the building. Twenty years of settlement is measured, not argued with.

Level is checked at the template, which is the point of measuring in the room rather than off a drawing. Levelling belongs in the carcasses, on their own legs and packers. Variation past what packing can take up has to be corrected in the carcasses before we cut, because the template records the units as they stand. Where a corner is a couple of degrees off, a mitre cut to a theoretical ninety degrees opens on the wall side and there is no closing it afterwards. A laminate top was scribed thin at the back to swallow it, and stone cannot be shaved down the same way. The wall has not moved, and neither has the problem.

Ask for the lines rather than the total. One number for a kitchen tells you nothing you can check. What moves the figure after templating is a change you make: a different edge, an extra cut-out, a bigger sink chosen late. The stone carries the scribe because the wall cannot be persuaded, so back edges are cut oversize and eased in rather than dropped straight down. It usually explains the odd filler piece or strip of beading in the existing run that nobody could account for. Packing the carcasses is part of the replacement.

Marble is the one people underestimate. It is porous, like granite, and wants sealing. Quartz carries resin, so a hot pan wants a trivet, while granite and sintered stone will take one without complaint. The bead where the sink and hob meet the stone is siliconed rather than sealed, and wants watching. The rear extension is frequently original rather than added, which means it is solidly built and just as far out of square as the rest of the house. Lath-and-plaster and bowed brickwork mean we template for scribes rather than straight cuts, and each piece is offered up and eased in rather than dropped straight down. Same units, straighter line, better surface.