Worktops in Hither Green

Yes. Hither Green is on the patch, and the postcodes we work here are SE13, SE12. It is worked on our south east London run, along with the rest of Lewisham. Visitor permits are issued to the household rather than to the trade, so the ones the day needs come from the customer and are best in hand the week before. Whatever the standing allows, the stone leaves that van finished, because every edge, cut-out and internal radius is machined at the works and none of it is open to reconsideration at the kerb. Nothing about the shortlist is decided on the day itself. Nothing needs visiting and nothing needs collecting: the template is in your kitchen and so is the fit.

The original larder or store cupboard usually survives in a corner, and that alcove is deeper than the units and squarer than the walls around it. The kitchen in one of these sits in the back addition and takes its daylight from one end, so the working half of the run is the darker half and a pale stone with a honed or matt face does more there than any colour with depth in it. Movement needs length, and length is what these rooms have. Where a corner is a couple of degrees off, a mitre cut to a theoretical ninety degrees opens on the wall side and there is no closing it afterwards. Every notch and every scribe is machined into the piece before it leaves the works, and a hard sintered surface is the least forgiving of a tight internal corner, so one is always cut with a generous radius. A dark plain face shows every made-good line on the run.

A side gate hung to open outward against a fence post is narrower in use than it measures, and lifting the gate off its hinges is usually the quickest win on the route. That caps the longest piece, and a run split into two lengths nests differently on the slab, which moves the yield and moves the figure with it. The route rewrites the cut list, and the cut list is the price. A bay suspension carries a fee and a notice period, and the notice period is the part that catches people out when a date moves. A granite kitchen ends its day with a sealer, and a sealer wants a dry face and a quiet hour afterwards, so that hour is written into the day rather than borrowed from it. A figured slab takes longer to match than a plain one.

Not to any real extent, and it would be easy to imply it was. What the research on this patch actually lists is worktop installation and worktop fabrication. It describes the kitchens on this patch, not the work that goes into them. Same quoting, same cutting, same fitting as anywhere else on the patch. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. Where several kitchens are ordered together the sensible move is to take them all off one batch, because two slabs of the same name bought six months apart will not sit happily in the same building. The cheapest stone we fit is sintered, and it is still stone. Extension work runs late far more often than it runs early, and the worktop is close to the last thing in, so the date agreed at the start is rarely the date that happens. Volume work tends to live at the entry end of the range, and the entry end is genuine stone rather than a compromise, since the lowest supply figure we quote is a sintered surface and not a thin laminate pretending to be one. Batch matching is the only honest way to match a surface.

Three stools along one side need more clear length than most plans allow, and once the seating depth is fixed the piece either grows or it loses a seat. A shape like that nests kindly on a slab, so more of what gets bought ends up on the units and the rate per square metre behaves much as the brochure says it will. One slab or two is the biggest single jump in any quotation. Material sits between £110 and £550 per square metre supply only, and templating, fabrication and fitting are quoted line by line.

The stone carries the scribe because the wall cannot be persuaded, so back edges are cut oversize and eased in rather than dropped straight down. A hob dropped into the middle of a length puts sustained warmth at the lip of a cut-out, and an engineered surface will yellow there across ten years where a natural one takes it without comment. Internal corners are cut with a radius because square ones crack. Send the run lengths, say where the sink and hob will sit, and tell us which way the room faces and what lighting is going in above the working run. Where ownership is split across a building, the common parts belong to someone else and the carry route is negotiated rather than assumed. That changes which questions are worth asking about the stone, because somebody staying put wants to know how a honed face marks in five years and somebody selling wants to know how it photographs next spring. Stone is a fixture and outlasts the agreement over the room.

If you want the old top kept for a garage or a utility, say so and it stays on site. The units are untouched. Only the top of them changes. On a replacement the old top comes off in the morning and the new stone is down and sealed the same day. Some zones are controlled for a short window in the middle of the day and open either side of it, which makes the timing of the visit the whole question. Sintered surfaces are the hardest of the three to machine and the messiest to cut wet, which is precisely why none of that happens on a public pavement. Stone is delivered machined, sealed and covered, in that order.

Doorways, the newel post and the handrail usually take the room away, rather than the stairs themselves. What decides it is not the width of the stairwell but the length of piece that can be turned in it. A join added to get stone into the room is a different thing from a join added because the slab ran out, and the quote says which is which. Where the garden is level and the back door is wide the pieces get staged outside on trestles and brought in one at a time as the fitters are ready for them. Where a seam becomes unavoidable the choice of stone starts to matter, because a fine even speckle closes a joint almost invisibly and a broad vein simply will not. Speckle forgives a joint that a sweeping figure never would.

The template is taken in your kitchen after the units are in and fixed, never before. Templating and fitting are two visits, not one, and the gap between them is when the stone is actually cut. Between the template and the fit the slab is nested, cut, mitred and dry-assembled on the bench, which is work you never see and is most of the wait. Lower ground floor kitchens are reached by a stair with a winder in it, and the head height over that winder is lower than the room at either end. Which stone belongs on top of all that is a separate question from the building itself, and it is the one with a figure attached, because supply alone runs from £110 to £550 per square metre before a single cut has been made. Quartz, granite and sintered stone answer three different rooms.

Remnants bought elsewhere are the awkward case, because the drawing is then made to fit the stone. Supply through us runs £110 to £550 per square metre for the slab alone, which is the line you would be removing. If your own slab breaks there is no matching replacement to hand, and that is the real difference. Where a family has been living around a building site for months, the finish date carries more weight than any other part of the specification. Adding an island is what moves most of these projects from one slab to two, and that jump is the single largest step in any worktop quotation. The material is guaranteed for twenty five years, so choose once.