Worktops in Barbican

Yes. Barbican is on the patch, and the postcodes we work here are EC2Y. It is worked on our City of London run, along with the rest of the Square Mile. Where the frontage is a clearway the unload happens away from the door and the carry gets longer, which is a crew and time question rather than a stone one. A granite kitchen ends its day with a sealer, and a sealer wants a dry face and a quiet hour afterwards, so that hour is written into the day rather than borrowed from it. Pieces are unloaded in laying order so the figure runs true. You never have to visit anything or collect anything: we template in your kitchen and fit in your kitchen.

Base units from the seventies and eighties are often only 500mm deep, so a 600mm stone top overhangs at the front and the doors want checking against it. These kitchens are small and roughly square, so the run is short, the join count is low and the material band accounts for almost all of the figure rather than the bench time. Two slabs change the question from price to preference. Legs bottoming out on hard concrete or an uneven screed mean the tops of the carcasses are not one plane, and that is picked up at template rather than on fitting day. Every notch and every scribe is machined into the piece before it leaves the works, and a hard sintered surface is the least forgiving of a tight internal corner, so one is always cut with a generous radius. Water standing daily is what makes porosity matter.

A lift out of service for the day turns a straightforward install into a stair carry, so the slot gets confirmed with whoever manages the building rather than against a calendar. Where a seam becomes unavoidable the choice of stone starts to matter, because a fine even speckle closes a joint almost invisibly and a broad vein simply will not. Pattern is carried across a seam on the bench, never by eye on site. Loading exemptions on red routes are narrow, time-limited and heavily camera-enforced, so we plan around them rather than relying on them. Sintered surfaces are the hardest of the three to machine and the messiest to cut wet, which is precisely why none of that happens on a public pavement. A reserved slab is a slab nobody else is allowed to buy.

Not especially, and pretending otherwise would be simple enough. What the research on this patch actually lists is worktop replacement and worktop splashbacks & upstands. It is a fact about the local housing rather than about the work. The job is quoted, cut and fitted the same way wherever on the patch it lands. In a converted house the flat entrance and the internal doorway are usually tighter than the communal stairs, and that is easy to overlook. Where several kitchens are ordered together the sensible move is to take them all off one batch, because two slabs of the same name bought six months apart will not sit happily in the same building. Colour names outlive their batches by several years. Party-wall and lease conditions in a converted building set when noisy work can happen, which shapes the fitting day more than the kitchen does. Volume work tends to live at the entry end of the range, and the entry end is genuine stone rather than a compromise, since the lowest supply figure we quote is a sintered surface and not a thin laminate pretending to be one. Fitting follows template by five to ten working days.

A doorway partway along one wall breaks that side into two separate pieces, and two short pieces cost more between them than the single long one they replace. A shape like that nests kindly on a slab, so more of what gets bought ends up on the units and the rate per square metre behaves much as the brochure says it will. Cut-outs take material out of the piece that carries the sink. Supply only, material is £110 to £550 per square metre, with templating, fabrication and fitting quoted on their own lines.

Level has to hold across the whole room rather than along one wall, or a floor that falls end to end shows as a step where two pieces meet. A hob dropped into the middle of a length puts sustained warmth at the lip of a cut-out, and an engineered surface will yellow there across ten years where a natural one takes it without comment. Brittle stone and narrow returns are a poor pairing. Measure the run between the walls, note the cill height above the units, and tell us the thickness of the top that is coming off. The decision usually gets made standing in the room rather than at a desk, which is why a slab is worth viewing whole instead of choosing from a sample card. That changes which questions are worth asking about the stone, because somebody staying put wants to know how a honed face marks in five years and somebody selling wants to know how it photographs next spring. What the cleaner uses is part of the specification.

Where there is a lift, whether it can be booked out and padded matters as much as its size. A join forced by the route still sits over a gable, so it is no poorer a join for that. The alternative to a join is a shorter run, which is usually the wrong thing to trade away. Car depth is the number that settles it wherever a piece cannot be stood upright, and most residential cars are shallower than the run they are serving. Sintered stone at twelve millimetres weighs roughly half what thirty millimetre granite weighs, so a punishing route can genuinely rule one material in and another out. The way in caps the piece, and the slab layout follows the cap.

Grooves are machined in the workshop at the same time as the bowl cut-out, because they cannot be done well in a kitchen. On a porous stone the grooved area is sealed with the rest, and it gets wet more than anything else. Where there is no room for a separate drainer, grooves are usually what gets specified instead. Plaster over blockwork is thin and hollow in patches, so anything fixed back to the wall needs a sound spot found first. Which stone belongs on top of all that is a separate question from the building itself, and it is the one with a figure attached, because supply alone runs from £110 to £550 per square metre before a single cut has been made. What the room does to the number is most of the number.

The same firm templates and fits. Nobody else is brought in to install. If the units run late the template moves, not the fit: the gap between them is fabrication. A template on a normal kitchen takes two to three hours in the room. Small, roughly square kitchens with a back door and a window in the middle of the run: short lengths, few joins, and a lot to work around. The surface is where the money actually moves: across the 181 kitchens fitted the median is £220 per square metre, and half of them land between £165 and £300. Edges are charged along their length, not across the surface.

Where the hob lands is set out against the units and the wall behind, not off the kitchen plan. A Belfast or butler sink has to be installed and at its final height before the template, because the stone is cut to sit on it. A boiling tap needs a hole of its own and a cupboard below for the tank, so the units change too. Handles on opposing runs meet in the middle of the aisle, so a deep edge profile specified on both sides takes width out of the standing space twice over. An island is the piece that decides whether one slab covers the kitchen or two, and a second slab arrives as a step in the figure rather than a gentle slope. Extra depth sounds free and frequently buys another slab.